Drinking in place – German delights

Today’s New York Times features a must-read story on the front of the travel section headlined On a German Beer Trail, One More for the Road. Evan Rail (who recently also wrote about Czech beer innovation) set out with a definite purpose:

I wanted to try those German brews that had maintained a sense of local flavor, beers that were produced in their hometowns and, more or less, nowhere else.

In Cologne, I would drink Kolch, a light and fruity pale ale, one of the few beers protected by an appellation of origin as if it were a wine. In Leipzig, I would seek out Gose, a spiced amber beer that was out of production for two decades and that is just now making a small comeback. And in Bamberg, I would try the elusive rauchbier, a beer made with wood-smoked malt that is said to taste like liquid bacon.

Other beer pilgrims could have just as easily chosen other cities with great brewing histories “Dusseldorf, Dortmund and Munich come to mind,” but my trio seemed to offer the most promise and variety.

He starts in Berlin, where there were once 700 brewers of weisse beer and now the last two major producers have merged. But this isn’t a story about tracking down some ancient beers before they disappear – much as a blues fan might have headed to the Mississippi Delta a few years ago to see Frank Frost or Junior Kimbrough in a real juke joints.

The point of this story – to me, at least – is not history, or even tradition. The point is place.

Rail drinks Kolsch in traditional pubs where the average patron is “73 1/2 years old” and also goes clubbing with a much younger crowd in a packed club playing hip-hop at high volume. Even before getting there he finds another young and diverse crowd, favoring the local beer.

Why beer, in such a slick place? And why Kolsch?

“We’re proud of it,” Mira said. “I’m not necessarily proud of being German, but I am proud of being from Cologne. This is our beer.”

Reading this I couldn’t help thinking about tasting a wonderful Kolsch-style beer brewed in North Scottsale, Arizona. At an upscale brewpub decorated in a cowboy motif, where nobody talked about the fact that the beer was different or local. (And the brewery is long gone.)

We know, historically, that the Kolsch evolved into the style that it is for practical reasons (involving such arcane matters as brewing water).

But something else also happened along the way because it is brewed in Cologne and because it is different when you drink it in Cologne.

That’s why you should read this story.

(And we haven’t even got to the smoked beers of Bamberg or Leipzig’s Gose – tomorrow, perhaps.)

Food & Wine gets it (right)

Russian River Brewing barrel roomThis is beer and food done right, mostly for the food and wine crowd.

Maybe precisely for that crowd since it is in the June issue of Food & Wine magazine (the grilling issue).

In “The Keg vs. the Cork in Sonoma” chef San Yoon of the Father’s Office in Santa Monica, one of Southern California’s first “good beer” bars, takes writer Ray Isle on a tour of Sonoma County breweries.

There are plenty of recipes, attractive photos of beer and food, and inviting descriptions of what the beers taste like. A picture of Yoon sitting on barrels at Russian River Brewing in Santa Rosa (rather small if you already clicked on the link above) is a striking full page in the magazine.

(A quick aside. The barrel room at Russian River isn’t quite as sexy as the magazine makes it appear. The photo here is more what it looks like to the human eye on an average day. But barrels sure do give beer some razzmatazz. Imbibe magazine ran just a killer two-page picture of Jolly Pumpkin’s Ron Jeffries in his barrel room in the its March/April issue. Barrels are suddenly [almost]) as cool as babes in T-shirts.)

Food and Wine even includes an online bonus: An interview with Russian River owner/brewer Vinnie Cilurzo.

Can you ‘nail’ a Belgian style?

Dan CareyIn all fairness to Todd Haefer – who writes a Beer Man column that appears in many newspapers part of the Gannett chain and already catches enough grief for some of his comments – he didn’t write the headline and the term didn’t appears in his copy, but here it is:

Beer Man: New Glarus nails the Belgian style

The headline made me giggle. Haefer is writing about New Glarus Belgian Quadruple, part of brewer Dan Carey’s “Unplugged” series. Quadruple is simply a word you don’t hear Belgian brewers use. It became a term of convenience – meaning dark and very strong, ala Westvleteren 12 or Rochefort 10 – after Koningshoeven began shipping LaTrapppe Quad to the United States in the mid-1990s. That Trappist monastery is located in The Netherlands.

So not only does the headline insinuate that any style is something so specific that it can be “nailed” but that a Belgian brewer or consumer would cotton to the idea.

Speaking of styles serves many good purposes, but testifying for the other side here is Carl Kins, a Belgian beer enthusiast who has judged several times for the Great American Beer Festival and World Beer Cup. “We Belgians do not like categorization that much. Whether it is strong blonde ale or abbey style is not very relevant, as long as the beer tastes good,” he said in the chapter called Matters of Style in Brew Like a Monk.

Last week Stephen Beaumont wrote about this beer and Enigma, another in the “Unplugged” series. Spend a little time with his descriptions and it becomes apparent that Carey is more focused on “nailing” a great beer than capturing, or recreating, a style.

Is your brewer an artist?

It starts with a quote from Louis Nizer, the famous trial lawyer and author. He said:

“A man who works with his hands is a laborer; a man who works with his hands and his brain is a craftsman; but a man who works with his hands and his brain and his heart is an artist.”

Don Russell paraphrased Nizer to begin a column about making a case for extreme beer. Along the way he wrote:

Beerwise, the most inspired brewers are not just craftsmen, they are artists.

If there is an avant-garde movement among these brewers, then it is extreme beer.

And later, “Session beers, I’m afraid, are Norman Rockwells.” This led to a flurry of discussion at Seen Through a Glass about *xtr*m* beers and session beers, but only a little about brewers as artists.

Brewer at workSo what about that? And who to ask? How about brewers? I printed out part of Russell’s column and took it to the recent Craft Brewers Conference in Austin. I showed it to a dozen brewers along with another old saying that farmers make wine and engineers make beer.

I asked them to choose one of four words to describe themselves: artist, artisan, engineer or farmer.

Eight chose artisan, four chose artist. Most also said it depends on how you read the definitions.

“Since artisan essentially takes in artist, then artisan is appropriate,” said Garrett Oliver of Brooklyn Brewery.

Matt Van Wyk of Flossmoor Station Brewing, a school teacher before he was a brewery, suggested a fifth choice. “Some brewers are just producing a product for profit,” he said. “I lean toward artisan.”

Steve Parkes, the brewer for Otter Creek and Wolaver’s Organic Ales, picked artist, “By this definition.” Parkes is also the owner and lead instructor of the American Brewers Guild. Does that mean he’s in the business of training artists?

“No, artisans. The artistic component needs to come from them,” he said. “I can’t train that. I can give them the tools, but I can’t teach inspiration.”

Tony Simmons (call him an artisan) of Pagosa Springs Brewing told an interesting story. He was in a class at Siebel Institute with a woman who worked at Miller Brewing. Out of curiosity, not intent, he asked her what it would take for him to get a job brewing at Miller.

“You couldn’t,” she told him. “We hire engineers and train them to brew our way.”

John Graham of Church Key Brewing was part of the conversation. “On tours I tell people it is half heart, half science. You have to follow the rules,” he said. “I’m definitely not an engineer.”

We decided we might have to track down a German brewer to find an engineer. But that’s wouldn’t be Eric Toft, a native of Wyoming who now brews at Private Landbrauerei Schönram in Bavaria.

“I got into this because I thought it was artisinal and connected to agriculture,” he said. “You still need to be an engineer to run a brewery.”

Matt Brynildson of Firestone-Walker Brewing made it clear he envies Toft. “I would call myself an artisan, but I totally wish it could be more farmer,” he said nodding toward Toft. “Or to be as connected as he is.”

Toft regularly visits farms where his hops are grown and others that produce barley for his malt. All are less than 200 kilometers from the brewery. He uses a single barley variety – Barke – without regard to yield or how easy it is to grow (always a consideration for malt companies), paying farmers more if necessary to get what he wants (flavor).

Toft was in Austin helping the Association of German Hop-Growers and the Halltertau Hop-Growers Association. They advertise hops as the “spirit of beer,” but I’ve also seen hops referred to as the heart of beer or the soul of beer. Others call malt the soul of beer.

Does your beer even have a soul? Do you care? The answers could be no, and no. That’s fine. But I suspect if you said yes the fact it is brewed by artists or artisans might be as important as the ingredients used.

Tuppers’ beer comes with a guarantee

An obvious question now that the sale of Old Dominion has been completed is: What about the beers (such at Tuppers’ Hop Pocket and New River Pale Ale) that Old Dominion brewers under contract?

Bob Tupper addresses this at the Tuppers’ website (link courtesy of DC-Beer).

He’s confident about the continuing integrity of the products bearing his family name.

Ellie and I are excited about the new possibilities for distribution that this arrangement offers. And we believe that the new company will be as committed to brewing exceptionally high quality beers for us as Old Dominion has during our 11 years together. Those who are concerned about A-B’s influence should note the continuing quality and creativity of the Goose Island Brewing Company after A-B’s purchase of a minority ownership. The ultimate guarantee is that Ellie and I both have day jobs and a kid who will finish college next year. No amount of money will entice us to put our name on a product of which we are not truly proud.

Granted you wouldn’t expected him to say much different, but the image of a man standing behind the quality of his beers (and that would be the point, he considers them his beers) is reassuring.