When American hops sucked . . .

The United States became a net exporter of hops in the 1870s, so somebody must have liked varieties grown in America. In fact, exactly 100 years ago the U.S. exported 10.5 million pounds of hops and imported 3.2 million. Eighty percent of the exports went to England, while almost all the imports came from Germany and Austria-Hungary (thus Bohemia, where Saaz hops were grown).

Yet consider this from article in The Edinburgh Review from 1862, only a few years before the U.S. began exporting more hops than it imported:

“American hops may also be dismissed in a few words. Like American grapes, they derive a course, rank flavour and smell from the soil in which they grow, which no management, however careful, has hitherto succeeded in neutralising. There is little chance in their competing in our market with European growth, except in season of scarcity and of unusually high prices.”

Think how you’d feel if you were a grower and read that at Rate Hops or Hop Advocate?

Mr. Rock prefers that beer be the star

Jean-Marie Rock began brewing beer professionally in 1972. For the last 25 years he’s been in charge of the Orval Trappist monastery brewery. He understands brewing cred. Celebrity? Another matter.

He’s been to Kansas City twice recently. Posing for pictures, signing empty beer bottles, he found out quickly he wasn’t in Belgium any more.

“The biggest change is the contact brewers have here with the customers,” said Steven Pauwels, a native of Belgium who became brewmaster at Boulevard Brewing in 1999. When Rock agreed to collaborate with Pauwels to brew a beer he probably didn’t realize that 160 people would show up at a Lawrence, Kansas, hotel to celebrate the release of Smokestack Collaboration No. 1.

“The American people are so kind,” Rock said. “You cannot refuse to answer their questions.”

Rock, who is 61, oversees the production of a single beer, Orval. (The brewery also makes Petit for the monks at the monastery to drink and to sell at the brewery’s inn — that is simply a watered down version of the mother beer.) The ongoing production of special, or seasonal, beers is something that makes New American beers (I’m using that term instead of “craft” to see if it sticks) different. Likewise the notion brewers might be celebrities.

Rock, who visited Kansas City first to brew the beer and then again two weeks ago for the debut, left no doubt he found brewing something different just plain fun. When Pauwels suggested the possibility of the collaboration last year Rock knew immediately that he wanted to brew a strong pilsner using a hopping technique from 30 years ago.

Rock first worked for the Palm Breweries, then for Lamot in Mechelen, brewing lagers. At 8 percent alcohol by volume Collaboration No. 1 is about one percent stronger than the beer Rock was thinking of. Although it is labeled an “Imperial Pilsner” is does not resemble beers such as Samuel Adams Imperial Pilsner.

Hopped with excessive quantities of German Hallertau Mittlefrüher (as it is spelled where it is grown) Boston Beer brewed an 8.8 percent abv beer that had 110 International Bitterness Units (IBU).

Collaboration No. 1 is hopped entirely with Czech Saaz and brimming with hop flavor, although with 30 bitterness units it appears almost pedestrian compared to 110 IBU.

Where does the flavor and aroma come from? First wort hopping, a practice no longer used in Belgium. “No, no, no, no, no, no,” Rock said. “It doesn’t exist any more.”

A quick primer for those who aren’t homebrewers, commercial brewers or among those who spend too much time with either. Brewers boil hops a an hour or more to extract bitterness. In the process flavor and aroma are lost. That’s why brewers make flavor and aroma additions later in the boil.

In this beer two-thirds of the hops were added before the beginning of the boil (or “first wort”), but their flavor ended up in the beer. German also brewers used the method at the beginning of the last century (you can read much more here, including results of tests conducted in 1995.)

“It seems like a contradiction. You’d think you’d get more bitterness and less flavor,” Pauwels said. “It’s more subtle, almost crisper. Sometimes with late hopping it can get vegetative.”

These days many American brewers are experimenting with first wort, and even mash, hopping (recall at the steps Deschutes took in making Hop Henge). Additionally dry hopping (adding hops after fermentation is complete, sometimes shortly before packaging) to produce even more aroma is commonplace.

“You can try all the things you want,” Rock said. “A lot of brewers they are doing all they can dream. The dream is not always the reality.”

Rock is happy with Collaboration No. 1 (“Not just because it is our beer”). “It has a taste you don’t get when you use late hopping,” he said. “You get an old taste. That is my opinion.”

You know, old like the good old days. When a brewer could go to the store to buy a loaf of bread and didn’t have to stop to sign autographs.

(Photo courtesy of Boulevard Brewing.)

 

 

This one’s for hops lovers

Deschutes Hop Henge Premium beerBoth the beer and the details herein.

The press release Deschutes Brewery sent out for Hop Henge Experimental IPA describes the beer as “our annual exercise in IBU escalation, combining several new hop processes and techniques to create a unique and unexpected beer.”

Notice that although Hop Henge checks in at 8.75% and includes, according to the press release, 95 bitterness units that it is labeled neither Imperial nor Double. But it is one big ass beer, and were it entered as an IPA in a competition would surely be kicked for its big-assedness.

Deschutes first brewed Hop Henge in 2006, some years calling it an Imperial IPA, and jamming a boatload of hops into a beer is hardly new. So what’s this about experimental? I asked and lickety-split the answer arrived in an email from brewmaster Larry Sidor:

“As always, hopping is an adventure with Deschutes Brewery. We kicked off this year’s Hop Henge Experimental Ale by milling 1.0 pounds of Amarillo and Centennial hops per barrel in our grain mill. Yes, you read that right, the hops went directly to the mill along with the grain! So, we ended up with a green mash. Never fear, lautering went fine with a high performance German lauter tun.

“The next hop stop was at the Kettle. We added Millennium, Herkules (more German influence) and Northern Brewer at just at 0.99 pounds per barrel. The next wort hopping was in the hop back using Northern Brewer, Citra and Brewers Gold at 0.6 pounds per barrel.

“Drum roll please, the final wort hopping was with Cascade and Amarillo in the whirlpool at 0.8 pounds per barrel.

“Let’s see, we’re now up to 3.39 pounds per barrel just in the wort. We’re not stopping here.

“So, off to the fermenter where we added Centennial, Cascade and Amarillo at 1.32 pounds per barrel. These were hop pellets, very unDeschutes!) So next, we added 0.3 pounds per barrel of Citra in the bright beer tank. I can finally relax and get those damn pellets out of my tank and back to leaf hops! So after seven days on dry hops we called it good with a grand total of 5.01 pounds of hops added per barrel.”

Blame the power of persuasion but it seems you can smell a blend of citrus fruits — grapefruit, clementines — northwest pine trees, pineapples, and on and on through the cap. Really.

Besides they had me from the point when they milled the hops.

Glee Club Hops

Glee Club Hops

We’re almost done unpacking stuff we stuck away during our grand journey.

Yesterday I hauled out small beer items that decorate the tops of book shelves in the guest bedroom and office, including boxes of hops from the Prohibition era and before. In the 18 months the Glee Club box spent in hiding it became more topical, so here’s a photo.

What did people do with these hops, most sold in boxes that held two to eight ounces? Here are the instructions from a box of Rose Hops packed by E. Clemens Horst Co. in San Francisco, “Largest Hop Growers in the World.”

TO START YEAST-Boil one-half pound Rose Grand Hops in one gallon water, half an hour; strain, and stir in one-half pint fine malt flour, strain again through a coarse cloth, and boil for ten minutes; when lukewarm, stir in one-half pound brown sugar, place in a jug, and keep in a warm place until it works over, then cork tight and keep in a cool place for use.

HOP YEAST-Boil one ounce of Rose Brand Hops in three pints of water, twenty minutes. Strain into a jar, and stir in one teacupful flour, one tablespoonful brown sugar, one teaspoonful salt. When cooled to blood heat, ad one gill yeast. After standing for or five hours, put away for use in jugs, with cork securely tied.