Beer origin (and other) stories done right

Wasatch Brewing history

“Our Story,” posted on the Wasatch Brewing website is rather brief. To recap, Greg Schirf founded the Utah brewery, it opened in 1986 and a brewpub followed in 1988.

There is nothing about who brewed the first beers. She was Mellie Pullman, described by Tara Nurin in “A Woman’s Place is in the Brewhouse” as “a homebrewer, engineer, construction worker, and restaurant employee in Park City who, upon spotting a business plan for a brewery lying on a table in a friend’s condo, decided to quit her engineering job to invest and run its operations.”

She headed up the brewing operations and hired women to work with her in the brewhouse.

"A Woman's Place is in the Brewhouse"It’s the sort of origin story that has been told thousands of times since Jack McAuliffe (and Suzy Stern and Jane Zimmerman, although they are not mentioned much more often than they are) founded New Albion Brewing Company in 1976. But it will be new to most who read “A Woman’s Place in the Brewhouse” because it has pretty much been part of “A Forgotten History of Alewives, Brewsters, Witches, and CEOs.”

“A Woman’s Place” is an ambitious book, exhaustive and at times exhausting. That is as it should be, because Nurin makes it obvious why women should be exhausted. Why, given the evidence she presents, should they still have to prove their place has always been in the brewhouse?

Earlier this summer, Jeanette Winterson published her latest book, “12 Bytes: How We Got Here. Where We Got Next.” It is about female scientists and other visionaries. In The Guardian, Clarie Armistead wrote, “This means writing women back into history as active contributors to the modern world, capable of imagining the future, breaking codes and solving the knottiest scientific problems.”

That is what Nurin has done, going back and forth between ancient and not-so ancient history and history in the making. As a press release for the book states, “It’s a history that’s simultaneously inspiring and demeaning. Wherever and whenever the cottage brewing industry has grown profitable, politics, religion, and capitalism have grown greedy. On a macro scale, men have repeatedly seized control and forced women out of the business.”

The book is at its best when she is talking to the women of the “craft era,” about what has and has not changed, but also what might come next. Her final chapter concludes with a list of similarities women in the book share. “Always, without exception, focused on forward-thinking and looking forward, even when paying homage to the past,” she writes. “Thanks to them, I believe this book has no end.”

To return to Mellie Pullman, she did not disappear into the ether after leaving Wasatch. She settled into an academic career and since 2005 has been a professor at Portland State University, serving as the director of the business of craft brewing program. Tiah Edmunson-Morton collected her oral history for Oregon State University in 2016.

At Portland State, Pullman remains an agent of change in beer. Had she chosen a different path in academia, her influence would still be felt. When Pullman was still at Wasatch, a young bartender who worked across the street would stop in to ask her questions about brewing. Later that bartender, Jennifer Talley, got a job brewing at nearby Squatters brewpub. Her beers won more than 20 Great American Beer Festival and World Cup medals and she was given the annual award for innovation in brewing from the Brewers Association.

Talley obviously belongs in the brewhouse. She also wrote a book, “Session Beers: Brewing for Flavor and Balance,” that a new generation of brewers will be using for years.

A new generation of brewers will also be better off because of Nurin’s book, and she’s already collecting names for the next edition.

Craft malt: A map

Craft Maltsters Guild map

I defer to the malt expertise of Ben Keene and Jeff Alworth, but the map the Craft Maltsters Guild displayed at the Craft Brewers Conference earlier this month is one of those “picture is worth a 1,000 words” things.

The guild defines craft malt this way:

Small – A members malthouse produces between 5 metric tons and 10,000 metric tons per year.

Local – More than 50% of grains are grown within a 500-mile radius of the member malthouse.

Independent – Each member malthouse must be independently owned by a 76% majority of ownership.

Looking at the map, Hannah Turner, chair of the guild’s technical committee, volunteered there is work to be done in South Dakota, Nebraska and Kansas — where they know a little about growing grains. That noted, the availability of locally produced malt and hops since the Brewing Publications brewing elements series* was produced is stunning.

* A bit of disclosure. I wrote the hops book.

Considering national tradition, robot brewing and terpenes

Hotel Luna Mystica, Taos, NMHotel Luna Mystica on Taos Mesa (west of Taos, NM)

A few stories I filed away to think about while driving here and there. Some provoke obvious questions.

Tradition
What role does national tradition play in discovering what to many drinkers is new? When does the new become tradition? Can tradition once lost become the new new?

Beer. Not beer
The sentence not to overlook in “The rise of hard seltzer echoes the 19th-century lager craze” is . . . “Hard seltzer, however, is not lager.” Meanwhile, is it too early to be documenting hard seltzer tradition?

Party on
Oh, and about the “appeal of alcoholic beverages that we are led to believe are better for us.” Drinking is still drinking. Witness the proliferation of party vehicles in Nashville, Tennessee. “We made the monster, and now we can’t control the monster. It’s the plot of every monster movie.” One that may be changing the city. “You can have a fun, entertaining, unique experience here. There’s nothing unique about downing 12 White Claws at 3 in the afternoon in 95-degree heat.”

Terpenes
First, passing this along without suggesting or endorsing anything. This research concludes the “entourage effect” is real and that “on their own, terpenes mimic the action of cannabinoids.” The terpenes in this study are humulene, geraniol, linalool, and pinene. All are present in hops, and the best way to load them into beer is via dry hopping.

Robot beer?
This sentence might make you shudder: “The win was an important milestone in that it’s the first time that a homebrewer used an automated beer brewing countertop appliance to help develop an award-winning recipe at the HomeBrew Competition.” The key phrase is help develop, because Christain Chandler used the countertop system to make multiple iterations of a basic recipe that was his creation, not the machine’s.

The business pages
For more than 30 years I’ve been reading stories in which brewers wonder when beer will gain the same respect — never specifying exactly what that means or who the respect is from — as wine. So it is interesting to see Mike Veseth ask, “What can wine learn from beer?”

Always for pleasure (or not)
Lisa Grimm finds Island’s Edge from Heineken “oddly thin, creamy head notwithstanding, and barely registers anything beyond roasty water – it’s less a stout and more the ghost of one.”

The Year of Craft Lager, v24.6

Craft Brewers Conference, lager panel
Lager
Doug Veliky writes that it has been a running joke since 2014 that the upcoming year would be “The Year of the Craft Lager.” More like since 1994.

But were this to come true, it would be a welcome change. “It may never be the ‘The Year of the Lager’ because you simply don’t convert an impactful enough percentage of cheap light lager drinkers to $11.99 four-packs in a single yea . . . I am very open to the idea of the 2020s being ‘The Decade of the Lager’ though.”

Plenty of brewers would like to see it happen. The picture at the top is two ballrooms full of attendees Friday for a panel discussion at the Craft Brewers Conference: “Let’s Talk Craft Lagers: Brewing on Low to High Tech Systems.”

TikTok taste test
Can a bunch of journalists tell the difference between Karbach’s new Love Street Light and Bud Light? A smaller Houston brewery takes a shot at the latest release from one owned by Anheuser-Busch.

Vessels I
A primer for how different vessels impact aromas, flavors, and textures in a wine. It would be great to read something similar related to beer. (If it is already out there, please send a link.)

Vessels II
An ode to drinking wine from cheap glassware:

“For me there’s an order of importance when it comes to enjoying wine: the company, the quality of the wine itself, the food and, somewhere near the bottom, is the glass. Unpretentious glasses say spontaneity, fun and pleasure while delicate expensive ones say oneupmanship, pedantry and general twattery. They are for the sort of people who say stemware instead of glass, or timepiece for watch. Don’t be a glass bore. Life’s too short.”

But clean, please. Clean is still important.

State of the industry
You’ll have to connect a few dots, but here is Bart Watson’s “State of the Industry” presentation at the Craft Brewers Conference:

Previewing the conference, Jonathan Shikes took the opportunity to examine eight topics facing craft beer right now.

Because it’s Labor Day, essential and other beer-related reading

Labor Day
Today’s Finger’s newsletter from David Infante, “How the Twin Cities became a hotbed for craft beverage unionizing,” is timely and essential reading.

Crushable
Surge (hard seltzer) variety packI still do not understand, but perhaps this will help you figure it out.

Is White Claw Surge crushable?

“‘You can make the argument that ‘crushable’ and ‘sessionable’ parallels with American binge-drinking culture,’ says Elle Holcomb, a Portland, Oregon–based winemaker and alcohol sales representative. But she stops short of this conclusion, offering that the initial intention of ‘crushable’ is less about indulgence than it is an accessory for socializing.”

Change
I don’t usually point to podcasts, but Yakima Chief Hops has started a new one called “Bigger Than Beer,” which each year will explore a new subject. The first topic is “Women+ in the Industry,” and the initial conversation with Tessa Schilaty and Tiffany Pitra from the YCH sensory lab is exceptional.

I visited the “Aroma Dome” week before last and wished I could have spent much longer talking with them. (Technically, we weren’t in the “dome” itself. Pitra was teaching YCH staff members to recognize the aroma of onion-garlic – a lamentable character that may arise in hops that otherwise tropical aromas. She had chopped up onion and garlic, and it smelled great in there although it would not have in beer. We stepped outside.)

Schilaty and Pitra are not necessarily thinking about hop aroma, about evaluating that aroma and understanding that aroma like everybody else. Take notice.

Find it on Spotify or Apple Podcasts.

Neomexicanus
This story wild hops in New Mexico would not be nearly as much fun if I reported it. I’d treat it more like a teaching moment, and insist on adding more facts and more history. It is more enjoyable to read it as it is, and listen to Joe Ely sing Silver City.

Styles
Boak & Bailey nicely summarized the outbreak of posts about beer styles (fourth entry) last week. To that I will add (and pardon the internal link) this post from 2010 about something Fred Eckhardt published almost the same time Michael Jackson’s “World Beer Guide” came out.

Always for pleasure
A fresh hop seminar.