What does beer as a ‘new luxury’ mean?

Beer the New LuxuryCan beer be a luxury and a blue collar product?

The rather lengthy discussion — and you thought I wasn’t capable of understatement — Alan provoked by arguing craft beer prices are not too low goes to one of the reasons this blog exists. That’s explained in the mission statement, one of the regularly appearing categories here is “What should you pay?” and there’s a link on the right to a story asking the same question.

The article was written in 2005 for All About Beer magazine, a consumer publication. It drew from a story written a year earlier for New Brewer, the trade publication for Brewers Association members. Although Alan began the discussion from the viewpoint of a consumer plenty of business related chatter quickly followed — including contributions from brewers Eric Wallace and Tomme Arthur — so indulge me as I offer something written basically for the trade. I hope it is relevant to the ongoing discussion.

These are excerpts, and may abruptly jump from one point to another, but it beats slogging through the whole article.

The concept of “trading up” received much attention this year, from Fast Company to BusinessWeek after publication of Trading Up: The New American Luxury by Michael Silverstein and Neil Fiske.

Trading Up is based on the contributions of many members of The Boston Consulting Group, where Silverstein is vice president. The book includes the findings of both quantitative and qualitative research, and offers analysis of 23 categories, including autos, home goods, food, wine and spirits, sports equipment, pet food, and lingerie; interviews with New Luxury leaders; a consumer survey and dozens of one-on-one interviews; and a literature review of more than 800 books, articles, and other materials.

Among the companies profiled is Boston Beer.

Reviews of the book are often paired it with Living It Up: Our Love Affair with Luxury by James B. Twichell. Twichell writes, “. . . one can make the argument that until all necessities are had by all members of a community, no one should have luxury. More complex still is that, since the 1980s, the bulk consumers of luxury have not been the wealthy but the middle class, your next-door neighbors and their kids.”

. . . one of the premises of Trading Up is that consumer spending is polarizing. In order to trade up in a category she really cares about, an avid cyclists might save money by trading down in some that don’t matter to her – like her brand of toothpaste or beer.

Trading up isn’t about simply moving from beer that costs $2.99 a six-pack to $7.99 craft beer.

“The competition . . . includes all mood elevators,” Silverstein said. “Quality vodka substitutes for better beer more than it does for Bud. The beer companies need to deliver innovation on taste, nutrition, health, energy, and celebration.”

In 1985, Philadelelphia Inquirer food editor Gerry Etter wrote, “Today, beer is invited everywhere. It hobnobs with vintage wines and attends formal parties, it slides effervescently into crystal glasses held by long-gowned hostesses.”

This caused another writer for the Inquirer to counter, “I’ve never hobnobbed in my life (and if I did, it was only once and with a consulting adult), and I don’t intend to start now. One doesn’t hobnob while drinking beer, one shoots the bull.”

. . . according to the authors of Trading Up, there “are no typical New Luxury spenders.”

The book introduces the concept of “rocketing.” BCG research found that almost everyone (96 percent) will pay more for at least one type of product that is of importance to them and almost 70 percent identified as many as 10 categories in which they will “rocket” – that is spend a disproportionate amount of their income.

Charging more doesn’t make a product a New Luxury. They write that to be New Luxury, a product must connect with consumers on three levels:

– There must be technical differences in design, technology or both.

– Those technical differences must contribute to superior functional performance. It really has to be better.

– Technical and functional benefits must engage the consumer emotionally.

Interuption for comment.

You may not be comfortable with seeing “technical” and “technology” used so often, so just focus on this: It really has to be better.

Resume excerpts.

“It was a reminder that the product has to be truly superior and good on its own,” (Boston Beer founder Jim) Koch said, later adding, “We’re not trying to make a pet rock of beer, but new styles that are cherished 100 years from now.”

Silverstein returns often to the topic of quality. “The beer category is crowded with a lot of wannabe’s. Both big and small. It is an industry filled with bravado and claims,” he said. “Most are not very well developed and researched. The best example is low carb beer.”

Koch cites the book when he says, “It can’t just be a marketing gimmick. It has to be rooted in product difference. Typically, it’s not just better, but uniquely so.”

. . . “At the end of the day, we all have to add something, variety or quality, to give people a reason to buy our beer,” he said. “For instance, Sam (Calagione, founder of Dogfish Head Brewery). He wasn’t among the first (microbrewers) but he’s added stuff, a whole new set of products.”

And one last excerpt that goes to the passion reflected in A Good Beer Blog.

New Luxury products are not aimed at an “average” consumer or “general” anything. They are meant for a well-defined group of core consumers with strong needs and interests.

In targeting customers, brewers must remember that. “Rocketers care about the product. They are knowledgeable,” Silverstein said. “They have been in the category for some time. They have an interest in learning. They drink on premises and want to tell their friends. They are sharers by nature.”

What is craft beer and how much should it cost?

For your reading pleasure today:

– Alan at a Good Beer Blog takes some of us to task to for suggesting that some small-batch beer should sell for more. Or put another way: Are Craft Beer Prices Too Low? No, They Are Not Too Low.

Skip my comments (I obviously was just waking up and might have been hung over), be fair and consider Alan’s arguments, but be impressed by the rebuttals from Stephen Beaumont and Lew Bryson.

Also spare yourself a little pain and pass on trying to envision the three of us joining in Kumbaya. Lew can flat out sing, but my voice has been known to shatter glasses (with beer still inside).

– And for those who want to spend less for beer and call it “craft” the Wall Street Journal offers To Trump Small Brewers, Beer Makers Get Crafty.

If you hang out here you should already know that Molson Coors brews Blue Moon White, that Miller owns Henry Weinhard’s Private Reserve and Leinekugel’s, that Anheuser-Busch makes Wild Hop Lager, etc. But one of the points of the story is that you wouldn’t learn this reading the beer labels, and that’s a big deal because . . .

Sales of craft beers affiliated with the big three brewers in grocery, drug, convenience and major-market liquor stores surged 45% to $177 million through Aug. 25 against year-earlier levels, excluding sales at Wal-Mart Stores Inc., Nielsen found. (Wal-Mart doesn’t supply sales data to Nielsen or any other data-tracking firm.) Sales of independent craft brands rose 16% to $531 million.

The good news seems to be that people are buying beer other than mainstream lagers brewed with adjuncts. The concern is that part of the attraction could be the idea they are crafted by small, independent brewers . . . and they’re not.

“Any brand put into the marketplace with an intentional lack of affiliation with the brewery brewing it, I consider that a faux craft,” says Tom McCormick, executive director of the California Small Brewers Association (and editor at ProBrewer). “It’s intentional deception.”

Does that sound fair to you?

Pick the dude with the palate

Thought for the day from Mark Matheson, who brews beer at Turtle Mountain Brewing in Rio Rancho, recently started his own winery (Matheson Wines), and also directs the winemaking at Santa Fe Vineyards.

He graduated with a degree in fermentation science from UC-Davis, studying both oenology and brewing, and certainly appreciates the the value of technical knowledge. So he’s not blowing smoke when he says:

“If I had two guys, one a microbiologist and one not a microbiologist and the second one had a really good palate, then I would hire the dude with the palate. At the end of the day, what matter is does it make the beer better? What does it taste like? That’s the part you have to be good at.”

The best selling US beers, circa 2007

Commenting in another thread, Stonch asked: I’d be interested to know what the top ten selling American craft beers are? Does anyone have that info?

The lists I put together got too long to put in a comment. They are not perfect. They are based on data from Information Resources Inc. (IRI), which uses scanner data to track sales of consumer package goods in a variety of channels, but not every drop of beer sold. Their strength is in supermarkets, drug stores and convenience stores, which is where most people in the United States buy beer.

They don’t count everything sold in specialty retail stores (though some) or on draft (and certainly not in brewpubs, which account for about 10% of craft sales). They are not the only source out there — you will often seen Nielsen quoted — but supply data that corresponds quite well with the yearly figures the Brewers Association supplies. So I think they can be trusted.

BEST SELLING CRAFT BEERS
1 Sierra Nevada Pale Ale
2 Samuel Adams Boston Lager
3 Blue Moon White
4 Samuel Adams Seasonal
5 New Belgium Fat Tire
6 Samuel Adams Light
7 Shiner Bock
8 Widmer Hefeweizen
9 Samuel Adams Brewmasters Collection
10 Redhook ESB
11 Pyramid Hefeweizen
12 Deschutes Mirror Pond Pale
13 Redhook IPA
14 Alaskan Amber
15 Deschutes Black Butte Porter

For perspective, seven imports outsell SNPA (Corona Extra, Heineken, Corona Light, Tecate, Heineken Light, Guinness and Modelo) and Newcastle Brown is nipping at the heals of Boston Lager. Also, Rolling Rock and Killian’s Red would rank fourth and fifth on the list above.

Pretty much an aside: The top two selling beers in the “super premium” category (high priced beer but seldom costing as much as craft beer) are Michelob Ultra Light and Michelob Light. The original Michelob ranks seventh on this list (behind Michelob Amber Bock), selling basically the same amount of beer in these channels — and I suspect not quite as much overall — at Fat Tire.

Think about it. The flagship from small brewery founded in the basement of a Fort Collins, Colo., house in 1991 now outsells what was once the super premium beer in America. Hold that smile — even after you read the final list. [End of aside.]

The best selling styles, recognizing that few beers even broadly described as “extreme” reach these channels (I can buy Stone Ruination, the Jolly Pumpkin beers, Avery and others at Whole Foods but not Albertson’s):

1 Pale Ale
2 Seasonals
3 Amber
4 Amber Lager
5 Wheat
6 IPA

Finally, a bit more perspective . . .

BEST SELLING BEERS OVERALL
1 Bud Light
2 Miller Lite
3 Budweiser
4 Coors Light
5 Corona Extra
6 Heineken
7 Natural Light
8 Michelob Ultra Light
9 Busch Light
10 Miller High Life

Miller High Life sold three times more beer in the first half of 2007 as Sierra Nevada Pale Ale.

The 42 best beers in the world, circa 1982

Michael Jackson Pocket Guide to Beer - 1982When somebody talks about “MJ’s list of best beers” do you think about the latest offering from Men’s Journal or one from Michael Jackson?

Me too.

Working on another project I recently hauled out his first Pocket Guide to Beer, published in 1982 and opened enough times since that the 18 pages containing Guinness through Anchor keep falling out.

This was the only pocket guide where Jackson used a 5-star rating. In following editions the highest was 4. In essence, each 5-star beer in this edition was a best of breed, so Zum Uerige Altbier represents that style, Westmalle Tripel that one, etc. (More about this at the bottom.)

Just for fun, here are the 42 beers that Jackson awarded 5 stars. (He also gave all 12 traditional Lambic brewers in the Senne Valley 5 stars “for dedication to an elusive craft,” adding “their products vary according to the good years and the bad, a greater discrimination would be illogical.”)

Czech Republic
Pilsner Urquell

Germany
Jever Pilsner
Einbecker Ur-Bock
Dortmunder Kronen Export
Zum Uerige Altbier
Kulminator 28 Urtyp Hell
Hofbräuhaus Maibock
Hofbräuhaus Edel-Weizen
Paulaner Urtyp
Paulaner Salvator
Schlenkerla Märzen
Spaten Dunkel Export
Spaten Ur-Märzen
Weihenstephan Weizenbock
Kindl Berliner Weisse

Belgium
Duvel
Liefmans Goudenband Speciaal Provisie
Rodenbach
Rodenbach Grand Cru
Westmalle Tripel
Hoegaards Wit
Saison Dupont
Chimay Red
Chimay Blue
Orval

Britain and Ireland
Brakspear’s Pale Ale
Courage Imperial Russian Stout
Fuller’s ESB
Gales Prize Old Ale
Whitbread Gold Label
Mackeson
Marston’s Pedigree
Marston’s Owd Roger
Highgate Mild
Thomas Hardy’s Ale
Belhaven 80/-
Traquair House
Guinness Extra Stout (Britain and Ireland)
Guinness Foreign Extra Stout

France
Jenlain

United States
Anchor Steam

Australia
Cooper’s Sparkling Ale

In the introduction Jackson explained a beer rated 5 stars was “a world classic either because it has outstanding complexity and distinction or because it is the definitive example of its style, and no matter whether everyone is capable of appreciating it; some people probably don’t like first-growth Bordeaux, either.”

In later editions he introduced the star ratings by making it clear they compared beers within a region to each other. For this first one, he wrote, “The whole scale of ratings in the German section tends to be high because all beers in that country are of what must be recognized internationally as a particularly good quality.”