IF beer were the new wine

I prefer discussion about beer and wine, as opposed to beer versus wine. (And there is the matter of New Beer Rule #7: Beer is not the new wine.)

But “Why beer is the new wine, and wine the new fur coat” is so nicely written you should take the next six minutes (it is posted at Medium, that’s why I know long) to read it. Three sentences that might motivate you . . .

– Unlike wine, beer is subversive and lewd and witty.

– You know what the wine section looks like after you’ve strolled through the beer section? Like black-and-white TV after watching hi-res color video.

Go enjoy it. One reservation: I don’t consider wine an anachronism. Because the essay celebrates advances (I agree advance are good, just so you know) it would be easy to see some readers mentally substituting in “pale lager” for “wine” in the second excerpt. Pale lager is not an anachronism. So make that two reservations. Still a fun six minutes.

Session #78 roundup posted

The SessionJames Davidson at Beer Bar Band has posted the roundup for The Session 78: Elevator Pitch for Beer.

There was a whole lot of pitchin’ going one, a topic so popular that Lew Bryson returned to The Session for the first time in a while.

The roundup runs more than 2,500 words, which reminds me Boak and Bailey have suggested “going long” in September.

On Monday 2 September, we’re going to post something a bit longer than usual — at the very least 1,500 words — and we’d love it if you, fellow bloggers and writers, did the same.

Seems like a good idea.

Bad beer and who should be talking about it

You connect the dots.

The conversation

John Harris, whose Ecliptic Brewing should be serving beer soon, was talking about the first months at Deschutes Brewery in 1988, where he wrote the initial recipes and brewed for four years. Batch after batch of beer tasted sour, and he dumped each one. It turned out that there was a design/construction flaw. Fixing that solved the problem.

“These days we could probably have saved the (sour) beer and made money on it.”

He laughed, but he was serious.

The story

Joe Stange’s DRAFT magazine story I mentioned a while back later came on line, leading to discussion here and there, particularly interesting here, about how many breweries is too many breweries. Beyond the matter of variety discussed first time around, there is the one about quality.

“What the industry is afraid of is low quality, and that will taint the quality of craft beer overall,” says Jeff Schrag, owner of Mother’s Brewing, a regional microbrewery that opened in 2011 in Springfield, Mo. “But I don’t know,” he adds, looking thoughtful. “There’s a lot of beer now that’s tainting the image of craft beer.”

Some links

– Brian Yaeger riffs on this at The New School in a post titled, “95% a-hole free?” . . . as opposed to the good old “asshole free” days.

It’s not like this is new. Consider what Ken Grossman had to say in 1981 in Zymurgy magazine (summarized by Maureen Ogle in Ambitious Brew: The Story of American Beer): “More often than not, he complained, homebrewers tried to go commercial ‘on a shoestring, and with such low technology and understanding of producing a high quality beer’ that they produced foul swill.”

That might come across as a little chippy. Would it be better to be specific, to name names? Last week Charlie Bamforth, the Anheuser-Busch endowed Professor of Brewing Science a the University of California at Davis, was in St. Louis. He spoke a few minutes at a Master Brewers Association of the Americas (MBAA) gathering. I’m told that “back in the day” almost everybody at these meetings worked at Anheuser-Busch and wore a tie. A lot more beards these days. Plenty of young faces, including many people who work at the ABI pilot brewery and students in a brewing class at Washington University. Bamforth was as entertaining as always, shifting quickly from one topic to another. At one point, and I’m not exactly sure why, he said, and I must paraphrase, one thing he can’t abide by is one brewer talking bad about another. So that’s something you learn in beer school.

– Brandon Hernandez pokes a hornet’s nest with “Truth in beer reporting and other novel concepts.”

Yes, the fact that Hernandez derives income from Stone Brewing Co. (as a communications specialist) muddies the water, but lots of interesting insights in the comments. And you’ll want to read what another panelist had to say, and then Alan McLeod’s take.

– Boak & Bailey, starting from an entirely different place (a post by Adrian Tierney-Jones), ask a question: End of the Kid Gloves Era? Maybe this is inside baseball (or cricket), just writers talking to writers, but consider this: “Perhaps it is time for beer writers to accept that conflict with ‘the industry’ is necessary and desirable.”

That way the brewers don’t have to be the a-holes.

Session #79 topic announced: What the hell has America done to beer?

The SessionHow’s this for a warning?

Host Adrian Dingle at Ding’s Beer Blog writes, “This probably won’t be pretty, and you’re probably not gonna like it much, but hey, what’s new?”

The topic: “What the hell has America done to beer?” AKA, “USA versus Old World Beer Culture.”

This makes more sense if you already follow @D_I_N_G on Twitter or read his blog.

Brace yourself for Sept. 6.

Orval, Nova Scotia, spruce beer

I’d argue that Orval qualifies as a beer “from a place.”

I think this mysterious spruce beer that James Robertson wrote about in 1978 probably did as well. This is his entry for Orval from The Great American Beer Book (pages 223-224):

Brasserie D’Orval

ORVAL ABBEY’S ALE BIERE LUXE – dark orange foamy appearance, soapy-sweet malt aroma, intense resinous aromatic flavor that fills the senses, sharp and sweet. This reminds me of a highly alcoholic spruce beer, which is definitely an acquired taste. Years ago an Englishman named Charlie Grimes used to make this in the little French seaside village of River Bourgeoise in Nova Scotia. It was very popular and reputed to have once put the local parish priest back on his feet when he was near death from the flu. I like it, but as I said, it is very much an acquired taste. it is doubtful if Orval can be found outside of Belgium. This beer is made by the Trappist fathers and is considered to be one of Belgium’s classics.

That’s more than Michael Jackson wrote about Orval in 1977 in The World Guide to Beer: “In its skittle-shaped bottle, the distinctive and vigorously-hopped Orval beer is another of Belgium’s classics.”

It wasn’t much later that Merchant du Vin began importing Orval.