Happy Labor Day

Hop picker - Christie Tirado artwork

Today is a day off for many workers in the United States, but not those where hops are grown. Harvest has begun, and Monday is just like Sunday or Tuesday.

The image at the top was created by Christie Tirado, whose artwork is being featured at Dry Dock Brewing in Aurora, Colorado, as part of National Hispanic Culture Month. She’ll be at the brewery to talk about her art and her mission on Friday. Details were in my August Hop Queries.

Since it is Monday, here are a few links:

Cold IPA is not a style.
Huh?

Although it is not defined in the 2021 BJCP Style Guidelines, guidelines principal author Gordon Strong recently summarized a way to tell a drinker unfamiliar with “cold IPA” what flavors to expect. That’s the goal of having “styles,” right? It is a cross between an IPA and an American light lager.

Protected Geographic Indication (PGI) style guidelines.

– Of course it took “took several months of planning and tests to find the perfect mix of biscuits, strawberry puree, grain, hops, yeast and water.

Pub love.

Tmavé Pivo.

A question for the ages

Gordon Strong - BJCP styles

“(They) are meant to get people talking about beer, not to encourage people to be beer police.”

– Gordon Strong, speaking at Copa Cervecera Mitad del Mundo in Quito, Ecuador.

‘Massively decentralized iteratively developmental simulator’

Read last week: What Would Beer Taste Like Without The Internet? – A Rebuttal, from Jordan St. John, replying to a post by Jeff Alworth.

I pass it along not only because I think the combination of five words at the top should be put to music, but because it helps explain why the speed at which beers that don’t taste like beers that came before are being introduced.

Fifty years after Fritz Maytag bought control of Anchor Brewing Company in 1965, he talked about the importance of tradition, at least in his mind. “Mind you, there was no beer in the world more traditional than ours. Pure water, good yeast, malted barley, hops. Period,” he said in an interview with the San Francisco Chronicle. “No additives, no chemicals, no nothing. That was a theme we felt strong about. To make old-fashioned beer in a pure, simple way.”

Although I might like the beers being referred to, I also have reservations about the phrase “beer flavored beer.” Mr. Tradition shouldn’t act as a gatekeeper.

With that in mind, from St. John:

“[Today] you’ve got tens of thousands of brains working on creation in concert in what may as well be a massively decentralized iteratively developmental simulator, sharing their data with each other in real time via social media. The technology has turned us into a computational device.

“When you see a brewer or brewery post on social media telling you about their product, whether it’s the strength, technique, malt bill, hop varieties, hopping rate, etc, they’re not only trying to position it to the consumer, they’re participating in a larger evolutionary discourse that is extant across an entire industry which has more participants than at any point in global history.”

You might also find these interesting:

When friends actually did let friends drive drunk.

– Josh Noel confesses he owns 147 hard plastic beer can holders. I’ve always taken them back to breweries (not necessarily the ones they came from) when I was buying beer at their door. I would be happy to trade them for a pour.

– Interesting observations in a story about the young bosses of Silicon Valley who rode their unicorns to fame and fortune. May apply to some brewing industry members.

A reckoning. “Patience for visionaries wore thin. Founder-led companies started to seem like liabilities, not assets.”

A familiar attitude. “In start-up lore, Mark Zuckerberg pioneered the modern boy boss. Carrying business cards that read, “I’m C.E.O., bitch” and ruffling Wall Street feathers with his ‘disrespectful’ hoodie . . .”

Beer predictions from 1998 that are not embarrassing

All About Beer Magazine 1998

I did not find what I was looking for earlier this week thumbing through wrinkled pages of All About Beer magazines (a reminder of the time it rained a lot in New Mexico — shout out to “Better Call Saul” fans — and our garage flooded), but I did find a story from 1998 making predictions about what’s next.

(Being old and a creature of habit, I will likely continue to dig through boxes of paper, magazines included, when I am poking into the past. You don’t have to. The resurrected All About Beer archive, which as I type this goes back to 2002 and continues to grow, will serve you better.)

I love these sorts of stories, because they get things wrong and make us laugh. Except this one actually stands up surprisingly well.

Here’s the tl;dr version:

1. Macro micros are out; local beers are in

2. Lagers, lagers everywhere
Some came true faster than others

3. Domestic imports
”Foreign” beers would be brewed in the US

4. Here come the Corona clones

5. New beer hot spots, and must-have beers

6. Blurring the distinctions between micro-breweries and brewpubs, between contract breweries and brick-and-mortar breweries.

7. Mergers and buyouts will continue

And now, Greg Kitsock wrote, “let’s go out on a limb . . .”

8. Great availability of craft beer in cans

9. Non-alcohol craft beers

10. Small brewery-distilleries

He picked the right limb.

The ‘brewer of tomorrow’ is 59 years old

Parts of this press release could have appeared in print in 1988 (at least in the United States), or during any of the last 30-plus years. I’m posting it in total, but if you’re feeling busy here is a summary:

– The winner of the competition did not come for Generation Z or Generation Y, but Gen X.
– He brewed a 16% ABV stout, the strongest beer ever to win a CAMRA award. It aged for five years before it was judged.
– It was the first beer he brewed.
– He’s going to start a brewery.

But of course . . .

And now the press release.

The “brewer of tomorrow” has been unveiled at the Great British Beer Festival at the first-ever homebrew competition hosted by the prestigious event.

Berkshire brewer Stephen Folland, 59, took home the crown with his beer “Doggy in the Woods” – a 16% full bodied stout – which is the strongest beer to ever win a CAMRA award.

Christine Cryne, one of the judges said: “This beer was remarkably drinkable for its alcohol strength. Our overall feedback was WOW.”

Stephen will be invited to commercially brew and sell his winning beer with the Head Brewer at Brewhouse & Kitchen in Worthing, who will work with him to adapt the recipe for a 500L brewkit. He will have the chance to brew his winning beer on site, which will be sold and distributed across local CAMRA festivals.

Folland, who made the beer in 2017 and has left it to age for five years said: “I’m stunned and delighted. This is the first beer that I’ve ever brewed, and I can’t believe a beer of this strength won. I’m about to move to Cornwall and will be setting up a microbrewery there, so this is a fantastic accolade to receive.”

Gail Bunn, Marketing Manager at Brewhouse & Kitchen said: “We’re extremely proud to be involved in this exciting competition as developing home brewers into ‘award-winning’ commercial brewers is at the heart of what we do.”

London’s Mark Sanderson’s Crooner was named runner-up in the competition, which is a 3% mild. Judges said the mild was “perfectly brewed” and “drank stronger than its alcohol content”. It was also described as incredibly “more-ish”.

Sanderson will receive a grand prize of a year of free beer thanks to Beer52, sponsors of this year’s festival.

Ruaraidh Macpherson, Head of Partnerships at Beer52, said:?”We are thrilled to be supporting the inaugural Homebrew Competition at this year’s Great British Beer Festival. With many talented homebrewers in our community, we are aware of the dedication and innovation required to make a successful homebrew. Perhaps they’ll even feature in a future Beer52 case!”

The bronze winner in the competition was Thomas Corry for his Margarita Gose – which shocked the judging panel as a beer “completely different to other beers that were tasted”.

Corry said: “I wanted to see how cocktails could be merged with beers. The gose style has a salty backbone, and I wanted to meld that with a sour margarita, so I incorporated orange and lime hop profiles.”

Cryne said: “It was a remarkable interpretation of a margarita in a beer form, and this particular beer would be really attractive to a new audience. It is perfect for summer drinking at the Great British Beer Festival.”

Corry will receive four free VIP tickets to next year’s festival as his bronze prize.

The competition spanned across 12 different beer styles, from milds and IPAs to barley wines and porters. There was also a special “Thank Brew” category where homebrewers tried their hand at the limited edition 3.5% ABV pale ale, which was created in celebration of the Platinum Jubilee to raise money for charitable causes.

The “Thank Brew” winner, Stuart Betts from Dudley, received a special category prize for his beer “I hate silica finings”, and will get the chance to travel down to Southwold for a Brew Day at Adnams.

Cryne added: “The judges were impressed by the quality of all of the category winners. There was a good range of beer styles complexity and attention to detail, and anyone who made it into the final 12 should be highly commended.”

Catherine Tonry, GBBF Festival organiser said: “We’re incredibly excited to be crowning the winner of CAMRA’s first ever national homebrew competition at this year’s festival. We all know that some of the very best beers in this country begin from humble origins, and it’s very likely that the best beers of tomorrow will be found among today’s homebrewers.”