Is this the best job ever or what?

Today the topic for The Session #85 is “Why Do You Drink?” and I can’t make myself believe you should care about that any more than why I seem to be favoring black t-shirts these days.

Instead I planned to post a Friday beer note (so why I drank a particular beer) about the very nice dunkel I had last week at Kansas City Bier Co.. But that’s going to have to wait until next Friday.

Because …

Roger Baylor pointed to a story about the explosive growth of breweries in Indianapolis (they are up to 23, with a dozen more planning to open this year).

And the second one on the list is called Books and Brews. A used book store in front and a one-barrel nanobrewery in back. But, wait, there’s more. They’ll have live music Friday nights and Sunday afternoons. I bet it won’t be long until there’s a food truck parked out front.

How did this not happen in Denver or Austin or either Portland first?

On critcism and the “craft beer community”

MONDAY BEER LINKS, MUSING 03.03.14

In craft beer community, everyone’s a critic — and that can be good. Do we give Khris Johnson of Green Bench Brewing in St. Petersburg, Fla., high marks, low marks, or something between for this thought? “It is absolutely appropriate for consumers to criticize craft brewers. The fact is that standards must remain extremely high. People should expect the best and I think they should get it. I don’t think that positive or negative criticism is a bad thing. I think that uneducated criticism is.” I was doing fine until he got to the uneducated part. Not sure who should be the arbiter there. [Via Tampa Bay Times]

Was it ever Gruit Britain? The herb ale tradition. “… it would certainly be wrong to say, or imply, that ‘gruit’ was the name applied to herb ales in Britain in the pre-hop period. So don’t, please.” [Via Martyn Cornell’s Zythophile]

Braukunst Live! 2014. As the headline suggests, this post focuses on “new school” breweries at Braukunst Live! Start there, but take the time for three other related posts. [Via The Bitten Bullet]

Virginia breweries go to the farm. The new Farm Brewery license for breweries is for those that manufacture no more than 15,000 barrels of beer per calendar year; are located on a farm in Virginia; and use agricultural products that are grown on the farm in the manufacture of their beer. [Via Yours For Good Fermentables]

“Big beer” innovation – Q&A with MillerCoors brewmaster. A question you sure as heck would not have heard asked 10 years ago at a brewery, let alone at one of the largest brewing companies in the world: “Are you a certified cicerone?” [Via Paste]

Friday beer: Wake Up Dead Imperial Stout

I can’t tell you the 49th or 51st brewery our daughter, Sierra, visited, but you always remember the 50th. She was 10 months old in the fall of 1997 and had been walking a while (adding a certain amount of excitement to brewery visits). I have a photo — but I’d be in trouble if I posted it here — of her holding her left hand up to the Left Hand Brewing logo.

The quote collected that day — Daria and I were working on a story for Brew Your Own Magazine — I remember best was from co-founder Eric Warner: “The large brewers are not tooled to do what we do. They’ll have to build less-than-efficient breweries to make beer like we do.”

But yesterday evening I also thought of something Dick Doore, the other founder, said. He was talking about their imperial stout, which already had a serious following. They made it once a year, and in 1997 that amounted to 170 barrels (5,270 gallons).

“Basically, we fill up the mash tun and we get whatever we get. We keep pouring in two-row until we stop,” he said.

Now called Wake Up Dead and just as imperial it has become the third beer in Left Hand’s Nitro Series (Milk Stout Nitro was the first nitrogenated bottled craft beer without a widget). It arrived at The Wine and Cheese Place yesterday morning. We drank some last night and I thought about what Doore said.

A one word review: Dangerous. The beer is 10.2% ABV and awakens, perhaps frees would be a better word, a rush of images. So here’s another non-review by photo and minimalist caption.

Left Hand Wake of the Dead Imperial Stout

“The devil got behind the wheel”

Take the 1995 beer quiz

Boak & Bailey have invited other bloggers to “go long” on Saturday, and despite two months lead time what I planned to post is not close to done. So, sigh, I’ll haul a print article from the archives Saturday. It focuses on 1995. Thus a quiz about beer events from that year to set the mood.

1) On June 13, 1995 the first draft beer from a Belgian specialty brewer was poured in the U.S. Where did this happen and what was the beer?

2) In 1995 this brewer took his first professional brewing job at Grizzly Peak Brewing Michigan. Who was the brewer and what brewery did he later found?

3) What beer took the gold medal as a “strong ale,” finishing ahead of Bourbon County Stout at GABF in 1995, and what was the story behind its name?

4) On June 30, 1994 this brewer quit is job at Otter Creek Brewing in Vermont. One year later he sold the first keg at his new brewery. Who was he and what’s the brewery?

5)This was the largest draft-only brewery in the Western Hemisphere in 1995, a claim it had to give up when it began bottling. What was the brewery and where is it located?

Leave your answers in the comments.

The beauty of beer, the power of words

MONDAY BEER LINKS, MUSING 02.24.14

One point I tried to make at the UK Craft Writing symposium is that every writer makes a choice about what to say and how to say it. The ease with which multi-media content can be delivered via the Internet sometimes changes the equation.

I included a clip of Sierra Nevada’s open fermentation video that went viral last month, and joked, but perhaps not clearly enough, that you could just shoot me now. How could a writer capture the power of that message? I should have added that trying is part of the job.

Jack McAuliffe, New Albion BrewingI finished the presentation by showing this oft-published photo of Jack McAuliffe that not long ago was on the cover of All About Beer magazine. The photo does not appear in the advance copy of “The Craft Beer Revolution: How a Band of Microbrewers Is Transforming the World’s Favorite Drink” I’ve seen. Instead, Steve Hindy brings the words big time, writing:

“A wonderful photo of McAuliffe shows him leaning, with one muscled arm, on an ancient cast-iron keg-cleaning contraption that looks more like a medieval torture device, all big screws, brushes, and wheels. He is the picture of a noble pioneering craft brewer, with a square jaw, level gaze, and thick dark hair falling over his ears and across his forehead. He’s wearing a short-sleeved collared shirt and a leather apron. His jeans are splattered with what must be whitewash or paint. His smile is as enigmatic as the Mona Lisa’s, I kid you not.”

I thought about this Friday when I was reading about the “California Brew Masters” book project that photographer Nicholas Gingold has mounted a Kickstarter campaign to fund. His goal is to publish a coffee table book full of photos — his samples are stunning — along with stories from the brewers. Literally at the same time I was admiring that artwork Max Bahnson’s “Monday Afternoon Blues” post popped into my feed reader. It’s worth your time.

It was a big week for links, so I won’t be keeping it to five. (In addition, there are links to numerous posts about the conference in my own related submission last Wednesday.)

What Makes a Brewery Good? Boak & Bailey host another round of “go long” posts on Saturday. Busy week ahead here so I may have to sit it out. But if at all possible I plan to write at length about “what makes an expert” because one of the keys to the Beer Graphs data-driven posts (like this one) is the data itself. Rating the quality of a beer is not as easy as tracking fly balls and ground balls. Yes, yes, I know there’ more than that to sabermetrics — I own a copy of Bill James “1977 Baseball Abstract” &#151. My point is we’re talking subjective and objective, and what Nate Silver calls “Dark Matter.” [Via Beer Graphs]

Journalists Banned from Tasting Domaine Huet Wines. Imagine something like this happening at GABF. [Via Vinography]

August Schell Announces a New Genre of Beer: German Craft. Without much fanfare they have added that tag on their home page. [Via The Growler]

Does New Zealand Have Its Own Beer Style Or Flavour? Zinzan Brooke making a New Zealand beer in the UK using NZ hops and malt. What does that mean? [Via Luke’s Beer]

The Coolships Have Landed. “We’ve calculated that we’ve already spent around $75,000 on our spontaneous program. We don’t even hope to release spontaneously fermented beer until 2016, and it could take much longer,” says Jeffrey Stuffings at Jester King Brewing in Texas. [Via Table Matters]

The discreet charm offensive of the BrewDoggies. In case you thought only American breweries could talk trash, grow fast, and — oh, by the way — put their money where their mouth is when it comes to spending on quality control, then read Martyn Cornell’s report from the belly of the beast. [Via Zythophile] And this thought from the same junket: “But you know, I don’t think that matters so much as the fact that these guys are beer people through and through and unafraid to say so. Beer people, even when they don’t brew cask are invariably impressive. It was good to hang out with them for a bit.” [Via Tandleman’s Beer Blog]

Demystifying the craft beer movement. In the UK, and, well, maybe. [Via The Morning Advertiser]

“Water Is Essential to What We Do” San Diego breweries and the California drought. [Via Voice of San Diego]

How Breweries Kept Busy During Prohibition. This is why we own a “Bud Brand” frozen eggs product tin. [Via Mental Floss]