Beer architecture and beer towns

Anheuser-Busch St. Louis breweryDoug Hoverson writes this:

A brewery in a small town has a distinctive place in the life of the locality and its citizens. The smokestack and other brewery structures tower over the neighbourhood. The brewery’s taproom is one of the centers of communal life. The beer itself, whether bearing on the label the name of the place or one of the leading families, maybe be one of the few ways that anyone outside of the area has ever heard of the town. On a more personal level, everyone either is employed by the brewery, or knows someone who is. Old-timers have stories about long hours and occasional accidents, and argue about whether the beer is really as good as it used to be. The brewery is a point of pride as well as an engine of the local economy. When a small town loses its brewery, it loses part of its life as well as a large portion of its livelihood.

And Susan Appel this:

Old breweries still stand, some renovated and adapted to new uses, but other abandoned and neglected, often for decades. The longer that continues, the more common it is that they fall apart or are demolished.

As a result, too few examples stand today as testament to the skills and extraordinary impact of dedicated pre-Prohibition American brewery architects. The rise of these specialists appears to have been a function of the intersection of American architecture and the American brewing industry when both were in significant periods of their histories.

Appel edited a special issue of Brewery History, the journal of the Brewery History Society in the UK, focusing on American brewery architecture. Her contribution, “Edmund Jungenfeld of St. Louis and His Impact on 19th-Century American Brewery Architecture” provides and anchor for the issue. In another chapter, Rich Wagner writes about another architect, Otto C. Wolf of Philadelphia, whose work was also prominent before Prohibition. Two others focus on caves and their connection with early American lager brewing. And at the end Hoverson examines the restoration of Potosi Brewing in Potosi, Wisconsin, back into an operating brewery as well as the National Brewery Museum.

For the May gathering of The Session, Reuben Gray will ask participants to write about “Local Brewery History.” I’ll be quoting from this issue then, both from what Appel writes about the National Historic Landmark — the landmarked area at Anheuser-Busch includes 189 structures on 142 acres — a 20-minute drive from my house and from Craig Williams’ article about the Lemp brewery cave, which is pretty much right across the highway from A-B.

Potosi Brewing Co. cratesAnd I’m pretty sure I will be revisiting Hoverson’s article often. It nicely summarizes why it matters to a town when a going business disappears. He writes, “The story of Potosi’s brewery from 1852-1972 is important not because it was unique, but rather because it was typical of the founding, growth and decline of so many American breweries.” The brewery outlasted most and was still making a profit when the Schumacher family closed the doors, the “next generation” no longer interest in keeping it going. Not only did 45 brewery workers lose their jobs, but there were the ripple effects. Railroad business at the depot declined, local businesses that supplied the brewery and its workers closed. And, one employee of a tavern said, “while we will still be able to get it (nearby Huber Brewing bought some of the brands) it just won’t be the same. It won’t be a local beer.”

*****

Should Hoverson’s name seem familiar, he is author of two books you should own: “Land of Amber Waters: The History of Brewing in Minnesota” and the upcoming history of breweries in Wisconsin (yes, I am that confident about how good it will be).

Copies of the Beer History American architecture issue may be ordered here.

‘In this fable, corn was evil’

MONDAY BEER LINKS, MUSING 03.08.14

Good morning. This week an international collection of links.

From the United States

The “big” story last week was the Brewers Association revising its definition of “craft brewer” (including that the association does not define “craft beer,” only “craft brewer”). I couldn’t pick just one post to link to, so three:

A corny definition of craft beer. From Don Russell at Joe Sixpack.

The Brewers Association Evolves. From Jeff Alworth at Beervana.

From Canada

The Curious Case Of The Capitulation To Crafty. Same topic as above, adding Alan McLeod’s take on the news. I would not declare the “craft versus crafty” wars over, not as long as there is an app for that. (Not sure I should even include that link, because the idea strikes me as so stupid.) [via A Good Beer Blog]

From England

What closes a brewery? It’s probably the quality of its beer. Excellent analysis from David Turner, who is careful about overstating the value of a limited number of results, and dang interesting. It is very cheering to think this might be true: “Those companies that fail to provide drinkers with quality products are seemingly doomed to fail, while others that excel, innovate and possibly take risks, are more likely to be successful.” [Via Turnip Ale]

From Germany

Ratsherrn Taps The Keg on New Microbrewery. “You can do & brew whatever you want in here, but please don’t forget I still need to be able to sell it!” [Via Brew Berlin]

Is this the best job ever or what?

Today the topic for The Session #85 is “Why Do You Drink?” and I can’t make myself believe you should care about that any more than why I seem to be favoring black t-shirts these days.

Instead I planned to post a Friday beer note (so why I drank a particular beer) about the very nice dunkel I had last week at Kansas City Bier Co.. But that’s going to have to wait until next Friday.

Because …

Roger Baylor pointed to a story about the explosive growth of breweries in Indianapolis (they are up to 23, with a dozen more planning to open this year).

And the second one on the list is called Books and Brews. A used book store in front and a one-barrel nanobrewery in back. But, wait, there’s more. They’ll have live music Friday nights and Sunday afternoons. I bet it won’t be long until there’s a food truck parked out front.

How did this not happen in Denver or Austin or either Portland first?

On critcism and the “craft beer community”

MONDAY BEER LINKS, MUSING 03.03.14

In craft beer community, everyone’s a critic — and that can be good. Do we give Khris Johnson of Green Bench Brewing in St. Petersburg, Fla., high marks, low marks, or something between for this thought? “It is absolutely appropriate for consumers to criticize craft brewers. The fact is that standards must remain extremely high. People should expect the best and I think they should get it. I don’t think that positive or negative criticism is a bad thing. I think that uneducated criticism is.” I was doing fine until he got to the uneducated part. Not sure who should be the arbiter there. [Via Tampa Bay Times]

Was it ever Gruit Britain? The herb ale tradition. “… it would certainly be wrong to say, or imply, that ‘gruit’ was the name applied to herb ales in Britain in the pre-hop period. So don’t, please.” [Via Martyn Cornell’s Zythophile]

Braukunst Live! 2014. As the headline suggests, this post focuses on “new school” breweries at Braukunst Live! Start there, but take the time for three other related posts. [Via The Bitten Bullet]

Virginia breweries go to the farm. The new Farm Brewery license for breweries is for those that manufacture no more than 15,000 barrels of beer per calendar year; are located on a farm in Virginia; and use agricultural products that are grown on the farm in the manufacture of their beer. [Via Yours For Good Fermentables]

“Big beer” innovation – Q&A with MillerCoors brewmaster. A question you sure as heck would not have heard asked 10 years ago at a brewery, let alone at one of the largest brewing companies in the world: “Are you a certified cicerone?” [Via Paste]

Friday beer: Wake Up Dead Imperial Stout

I can’t tell you the 49th or 51st brewery our daughter, Sierra, visited, but you always remember the 50th. She was 10 months old in the fall of 1997 and had been walking a while (adding a certain amount of excitement to brewery visits). I have a photo — but I’d be in trouble if I posted it here — of her holding her left hand up to the Left Hand Brewing logo.

The quote collected that day — Daria and I were working on a story for Brew Your Own Magazine — I remember best was from co-founder Eric Warner: “The large brewers are not tooled to do what we do. They’ll have to build less-than-efficient breweries to make beer like we do.”

But yesterday evening I also thought of something Dick Doore, the other founder, said. He was talking about their imperial stout, which already had a serious following. They made it once a year, and in 1997 that amounted to 170 barrels (5,270 gallons).

“Basically, we fill up the mash tun and we get whatever we get. We keep pouring in two-row until we stop,” he said.

Now called Wake Up Dead and just as imperial it has become the third beer in Left Hand’s Nitro Series (Milk Stout Nitro was the first nitrogenated bottled craft beer without a widget). It arrived at The Wine and Cheese Place yesterday morning. We drank some last night and I thought about what Doore said.

A one word review: Dangerous. The beer is 10.2% ABV and awakens, perhaps frees would be a better word, a rush of images. So here’s another non-review by photo and minimalist caption.

Left Hand Wake of the Dead Imperial Stout

“The devil got behind the wheel”