Monday morning musing: Genetics and auction madness

Not sure what your head is ready for this Monday morning, but we’ll start with the heavy lifting and then move on to good fodder for the around the water cooler. (Does anybody still hang out around water coolers or do they just use IM?)

– Don Russell writes about the developing battle over Frankenbeer in Germany; that is GMO beer. This battle packs a double whammy — GMOs (a bigger issue, so far, in Europe than America) and if this violates Germany’s beer purity law, the Reinheitsgebot.

Today there’s a report in the New Scientist about using “supersonic steam” to speed the brewing process. “The steam rips the liquid apart completely to form tiny, atomized droplets,” says Jens Thorup, Pursuit Dynamics technical director. “The droplets create a massive surface area that speeds up brewing reactions.”

Change can be good. This new process would reduce the carbon footprint of brewing. That’s excellent, but better if it doesn’t muck with traditional flavor.

Increasing prices for beer remind us that we’re talking about something that is grown before it is brewed. There’s a lot to pay attention to along the way.

– This fact hidden in Pete Brown’s post about tapping his well-traveled IPA: “Sadly the brewer of our beer, Steve Wellington, couldn’t make it because sales of Worthington White Shield are up by an incredible 67% this year and he’s brewing round the clock.”

Do you think Coors (which runs the White Shield Brewery within its complex at Burton-on-Trent) has any other beers with sales up 67% for the year? Not even Blue Moon is doing that well. Doesn’t this say something about tradition and beer with flavor?

– Plenty of beer on eBay these days, so remember you are bidding on collectible bottles rather than the contents :>)

* As I type, Bottle No. 1 of the 2007 release of Samuel Adams Utopias is at $810. This one is for charity. There are dozens of other Utopias packages available as well.

* Surly Brewing in Minnesota is auctioning a few bottles of Surly Darkness to raise money for EnergyCents, a non-profit Minnesota organization that helps folks with their heating bills. Here’s one, with a current bid of $152.50. Just click on “View seller’s other items” for more.

Surly put 480 of the 22-ounce bottles on sale Saturday at the brewery, with a limit of two per customer ($33 for two bottles, including tax). WCCO reported that buyers traveled from from Pennsylvania, Tennessee and Michigan to buy the beer, and interviewed some who were in line all night. Darkness went on sale at 9 a.m. and sold out at 12:49 p.m.

* A threesome of Lost Abbey beers — Cuvee de Tomme (375ml), Angel’s Share (750ml), and 10 Commandments (750ml) — sold for $199.99 in an eBay auction that closed Sunday. There was no mention of charity by the seller in Chicago.

A similar auction — Cuvee de Tomme, Angel’s Share, and Lost And Found (750ml) — just closed at $141.01. But did not meet the reserve. Same seller, by the way.

Does light (lite) beer have to suck?

Miller Brewing plans to test market three “craft-style” beers lower in calories and carbohydrates than beers described as “craft.”

The Miller Lite Brewers Collection, &#151 a blonde ale, an amber and a wheat &#151 will begin testing in February in Baltimore, Charlotte, Minneapolis and San Diego.

Jack Curtin doesn’t think much of the idea.

If you been slowly accepting the delusion that the Biggies had gotten the point, Miller comes through with the evidence to the contrary.

“Craft-style” beer. I love it.

I understand Jack’s point, but I was already wondering why so many beer drinkers assume that “light” and “full flavored” are exclusive. I started thinking about this last weekend when a former Pabst brewer explained to me how, when light beer was pretty new, they came up with a time-consuming process in order to lower calories but maintain the alcohol level (and thus flavor).

Full-calorie beers (Budweiser, Miller High Life, Pabst) have been squeezed what seems to be forever by specialty beers (imports and “craft”) on one side and low-calorie beers on the other. Perhaps strategists at Miller looked at this and thought, “ahha.” Brew Blog explains:

Miller Lite Brewers Collection is aimed at mainstream light beer drinkers and capitalizes on three beer industry trends: the growth of light beer; the growing popularity of craft beer; and consumers’ growing willingness to pay more for products that deliver a unique or better experience.

I understand that you are skeptical about Miller delivering a better experience. I’m reserving judgment myself, but it surely is possible.

Amber? Think of British bitters, less than 4% abv and full of flavor. Of course, they’re best on cask, something more easily done in a brewpub than an airport bar. And better bottle conditioned (unfiltered and unpasteurized), which probably isn’t part of Miller’s plan.

Blonde? Since Miller is spelling it with an “e” consider Chimay Doree from the French speaking part of Belgian. I figure the 4.6% beer brewed for the monks themselves has about 130 calories (just a little more than Samuel Adams light).

Wheat? How about a Berliner Weiss?

Nope, light beer doesn’t have to suck.

Top-selling craft beers revisited

In October I dug up a list of the best-selling “craft” beers in the country, according to Information Resources Inc. (the details). Now Brew Blog has the Nielsen numbers for the 13 weeks ending Dec. 1.

I thought it would be fun to compare them. The IRI figures are compiled for the Brewers Association, so don’t list brands such as Coors’ Blue Moon and Leinenkugel as “craft.” I inserted Blue Moon in my October list, but left out Leinekugel Sunset Wheat (now included).

Nielsen describes its numbers as “supermarket sales” while supermarkets dominate the IRI sample, although its figures include some drugstores and convenience stores.

Nonetheless pretty similar numbers. You can decide what they mean.

Although the current Samuel Adams seasonal is Winter Lager, the seasonal for most of the Nielsen period was Oktoberfest. I’m guessing the Winter Sampler packs are counted under variety packs. The Blue Moon seasonal would have been its Pumpkin Ale, now replaced by Full Moon Winter Ale, described on the label as an “abbey ale.”

NIELSEN – LAST 13 WEEKS
1 Samuel Adams seasonal
2 Blue Moon Belgian White
3 Samuel Adams Boston Lager
4 Sierra Nevada Pale Ale
5 Samuel Adams Light
6 New Belgium Fat Tire
7 Shiner Bock
8 Samuel Adams variety packs
9 Widmer Brothers Hefeweizen
10 Blue Moon seasonal
11 Red Hook ESB
12 Redhook Ballard Bitter IPA
13 Leinenkugel Sunset Wheat
14 Pyramid Hefeweizen
15 Leinenkugel seasonal
16 Deschutes Mirror Pond Pale
17 Leinenkugel Honey Weiss
18 Leinenkugel
19 Alaskan Amber
20 Deschutes Black Butte Porter
IRI – FIRST HALF 2007
1 Sierra Nevada Pale Ale
2 Samuel Adams Boston Lager
3 Blue Moon White
4 Samuel Adams seasonal
5 New Belgium Fat Tire
6 Samuel Adams Light
7 Shiner Bock
8 Widmer Hefeweizen
9 Samuel Adams variety packs
10 Redhook ESB
11 Pyramid Hefeweizen
12 Deschutes Mirror Pond Pale
13 Redhook IPA
14 Leinekugel Sunset Wheat
15 Alaskan Amber

Mephistopheles – A non-review

Mephistopheles

Château Petrogasm uses “colors, sketches, photography, and other visual media in order to convey both the intrinsic components of a particular wine along with a general impression of it. ” In other words, pictures instead of words.

That hardly seems necessary for the latest release of Mephistopheles’ Stout from Avery Brewing in Colorado.

A closeup from the label gives you a good idea of what’s inside. It also might traumatize young children and probably belongs in the Christmas Photo Contest.

I haven’t had the latest incarnation, Batch #3, but it checks in at 16% abv.

Firestone 11 and a ‘Tale of Two Matts’

Firestone 11I’ve already ragged on Firestone Walker for the Plane Jane names attached to spectacular anniversary beers. So to be constructive I should suggest a sexy alternative to “Firestone 11,” the beer they’ll be lining up to buy today at the Firestone Walker taproom in Paso Robles, Calif.

With apologies to Dickens let’s call it a “Tale of Two Matts.” And quote a bit from the opening of his similarly named novel: “it was the age of wisdom, it was the age of foolishness.”

The Matts are Matt Brynildson and Matt Trevisan, the brewmaster at Firestone and winemaker at Linne Calodo Winery respectively. The former had everything to do with brewing, aging and assembling the beer. The latter sat in on sessions that determined the blends for “10” and “11.” As important to me is how generous Trevisan was with his time in a long conversation that helped me understand what makes this beer different.

The foolishness? The labor and time involved compared to what income the sale of 500 cases will bring. The wisdom? It’s in the glass.

Coconut. Vanilla. Oak tannins. Texture. Bourbon. Brown. Chocolate. Dark cherries. Smoke. Earthy/herbal.

That’s how my notes begin. Then, Do we really need to deconstruct this beer?

My thoughts turned to a conversation with Trevisan about blending “10.” “I told them they didn’t have to sit there and pick it apart to find the best one,” he said. “You didn’t necessarily want the one you had the most to say about. Ultimately it’s a beverage to enjoy.”

So Daria and I were pretty much done chatting about our impressions of the beer, even if they did keep coming. For instance, when I poured out the last of the 22-ounce bottle and kicked up the head anew a sudden whiff of rose perfume appeared, recalling Rochefort’s beers. Where the hell did that come from?

We enjoyed the beer but we talked about how much we like the Christmas tree we cut Friday, how many days we should appropriate for the Canadian Rockies next summer, and more stuff you don’t give a hoot about.

Instead, you’re here to find out what makes this beer different, perhaps special. Could there be a one word tasting note?

OK. Texture. It’s rich and velvety on the tongue, but finishes with enough leathery coarseness that it doesn’t leave a sweet impression. I suspect that’s one of the reasons such a wide array of flavors come together so well.

Class dismissed.

The rest of a “Tale of Two Matts” is optional reading.

Matt BrynildsonFirestone 11 is a compelling beer with a captivating back story. I wrote about the blending of Firestone 10 in the current Imbibe magazine.

Also, check out Sean Paxton’s recently posted Blending Firestone Walker 11 with Matt Brynildson for photos far more illustrative than my words. Don’t miss the “Bourbon Dot.”

Before we get to the nitty gritty geeky details comparing “10” and “11” let’s back up a bit. When Brynildson hit upon having area winemakers help with the blend, Trevisan — who stocks up on a variety of Firestone Walker beers to serve winery workers during harvest — was one of of the first he called. Wine Spectator has characterized him as one of the “Young Turks” of the Central Coast.

Handed a glass of Abacus, a barley wine, that was a composite taken from several barrels Trevisan asked instead for samples from individual barrels. A conversation with him about wood makes the reason why obvious.

French Oak versus American Oak is just the beginning, because he’ll tell you about different forests around the world. He described two oak trees, each one on a slightly different part of his property, each developing differently in its own microclimate.

“It starts with how the cooper chooses his trees,” he says. Where the wood is dried (think Oregon Coast versus Mojave Desert) and otherwise how the cooper treats it make as much difference as variables that are more easily quoted, like the level of “toast” (when a partially assembled barrel is placed over a fire and charred). For instance, when a winemaker or brewer buys a new barrel it will be described along these lines: American Oak, Medium Aroma Toast, 24 months (the time spent seasoning).

Trevisan says too many winemakers want barrels with the same specs to produce the same flavors. “That takes the human element out of it,” he says. “If I have two barrels I like the idea of the left one and the right one tasting different.”

Assembling those flavors, of course, is why Matt consulted with Matt. “I always work off what I call liquidity. What’s the weight in the mouth? How to you want the wine perceived?” Trevisan says. He returns often to the word “viscosity,” and the importance of flavor at mid-palate.

That may mean something a little different in wine than beer but relates directly to the impressive texture of Firestone 11. A fair complaint about some high alcohol “extreme beers” is that they start with an intense blast of aromas and flavors, but there’s little depth by mid-palate. That’s not the case here.

Make no mistake, Firestone 10 and Firestone 11 taste quite different. We’re not talking about the difference between the 2006 and 2007 vintages of Pinot Noir from a winery. We’re talking the difference between a barley wine and a really big brown ale. The geeky details:

Firestone 11
– 82% Bravo (an Imperial Brown Ale brewed in August 2006)
– 16 bourbon barrels, 5 brandy barrels, 2 retired Firestone Union barrels (new American oak)
7% Rufus (a Continental Styles Imperial Amber brewed August 2007)
– 1 bourbon barrel, 1 rye barrel
7% Velvet Merkin (a regular strength Oatmeal Stout brewed October 2007)
– 2 bourbon barrels
3.5% Parabola (Russian Imperial Stout brewed February 2006)
– 1 bourbon barrel

Firestone 10
– Abacus (Barley Wine) 46%
– Bravo 16%
– Parabola 11%
– Ruby (Double IPA) 8%
– Walker’s Reserve (Oak fermented Robust Porter) 6%
– Hemp Ale (American Brown) 6%
– Double Barrel Ale (oak fermented English Pale) 6%

A 22-ounce of Firestone 10 sold for $9.99 when it was released last year. The suggested retail price on “11” is $16.99.