Session #43 recapped; Session #44: ‘Frankentstein Beers’

The SessionThe Beer Babe has posted the wrap up for The Session #43.

So it must be time to announce the topic for The Session #44 on Oct. 1.
Ashley Routson of Drink With The Wench titles it “Frankenstein Beers,” and offers some explanation.

Many craft brewers are like Frankenstein. They have become mad scientists obsessed with defying the laws of brewing and creating beers that transcend style guidelines. These “Frankenstein Beers” challenge the way people perceive beer. They are freaks of nature — big, bold and intense. The ingredients resemble those of a beer and the brewing process might appear to be normal, but some aspects of the entire experience are experimental, unorthodox and insane.

So . . .

Your mission, should you choose to accept it, is to write a blog post on “Frankenstein Beers.” There are no rules about how to write about this topic — feel free to highlight a Frankenstein brewer, brewery, beer tasting notes . . . or just your opinions on the concept.

To take it to the next level perhaps a “Frankenstein beer” created on a “Frankenbrew system.”

Don’t forget The Session #43 today

The Session Beer Babe is hosting The Session #43 today: “Welcoming The New Kids.”

I’m posting this and hitting the road, but I look forward to reading everybody’s essays thoughts (reworded in deference to JayZeis) when we return.

A lot of driving between now and Monday evening, perhaps a photo or two to Posterous (because it’s easy), and a tweet or three.

Have a good weekend, and remember why Monday is called Labor Day. Definitely one for us beer drinkin’ folks.

Time to ask the hard beer questions?

As part of the run up to the Great American Beer Festival Denver’s Westword features the relatively new Cheeky Monk Belgian Beer Cafe. Co-owner James Pachorek comes across a little, well, cheeky.

One particular paragraph got me thinking.

In fact, Pachorek was amazed at how quickly craft brewers had been able to make beers that were as good as or better than what the Belgians have been doing for generations.

Given that each year at GABF I end up with less time for blogging than I expect a “question of the day” might be a bit much, but I’ll aim for that . . . and maybe settle for a “question of the festival.”

Wish me luck, since question No. 1 for brewers will be: Do you brew beers that are as good at or better than what the Belgians have been doing for generations? Make that: Do you brew beers that are as good at or better than the Europeans have for generations?

Last Call? Not as long as America drinks

Last CallDuring a recent episode of the television series “Mad Men” newcomer Faye Miller told the iconic Don Draper, “I don’t know how people drink the way you do around here. I’d fall asleep.”

Miller serves as a proxy for those of us in the twenty-first century who are astonished at the amount of alcohol consumed during working hours on Madison Avenue in the 1960s. But why would we be? After all, as Daniel Okrent explains in Last Call: The Rise and Fall of Prohibition president James Madison drank an entire pint of whiskey daily. America and booze have always been on a first name basis, even during Prohibition.

Prohibition books come along quite regularly, but Okrent combines the sense of a historian with a great eye for detail and and ability to to entertain. For instance, one story about a sequence of events in the remote upper Michigan mining town of Iron River ultimately makes it clear why many hard working, middle class Americans would never obey the laws of Prohibition. It’s a little long to recount in detail here, so one paragraph from page 123:

Mostly, though, the press contingent got indoor pictures of Dalrymple staring down the thrity-four-year-old Mcdonough in the lobby of the Iron Inn or exterior shots of him out in the frigid February weather, sledgehammer in hand, smashing open the barrels of wine his men had managed to intercept. As vivid gouts of Dago Red saturated a nhearby snowbank, turning it a deep, grapy purple, a camerman from Pathé News gave a local man called “Necktie” Sensiba fifty cents to drop to his knees and eat the snow. The high school kids who joined him didn’t have to be paid.

His is a tale of politics — every beginning political science class should study how a collection of minorities managed to get a congressional amendment (nothing as simple as a law) passed that a clear majority clearly opposed — and thus politicians and other bigger than life characters. Grade schoolers today may not learn about Anti-Saloon League honcho Wayne B. Wheeler but Philip Seymour Hoffman would be mighty fine playing the part in a movie.

(The cover of the book says, “To be featured in a forthcoming Ken Burns documentary on PBS,” and that Okrent uses these characters to advance the plot surely appeals to Burns.)

Last Call is all encompassing — though it’s greatest strength is the chapters describing what happened during Prohibition itself — with plenty of before, during and after.

This seems almost like an aside, but although there’s plenty of beer inside it’s not really a beer book. Yet it fits quite neatly on the shelf next to Maureen Ogle’s Ambitious Brew. Okrent doesn’t detail how beer changed because of Prohibition, since, as Ogle explained, it didn’t. The road toward consolidation and a beer monoculture (dramatically reversed in the 1970s and ’80s) was paved before Prohibition.

Perspective

If you followed Ray Daniels’ tweets earlier today you know that a presentation by Symphony IRI to members of the Brewers Association confirmed that “craft beer” sales are kicking butt, that mainstream beer sales are in the dumps and that IPAs seem destined to rule the world.

You also know that Blue Moon Belgian White Ale from MillerCoors and AB InBev’s Shock Top Belgian White grew 27 percent and 34 percent respectively (Shock Top off a much smaller base). But because the numbers fly by rather fast during a 55-slide, one-hour presentation some things take a while to sink in. Like that Stella Artois outsells Sierra Nevada Pale Ale, but not Blue Moon Belgian White.

Since I seem to be in numbers mode these days I assembled a chart that mashes up the top 15 selling craft (IRI does not include Blue Moon in that group, but does include beers from the Craft Brewers Alliance although those aren’t craft beers according to the BA definition), super premium and imported beers. These are all beers consumers pay more for.

The IRI figures are based on scans at grocery stores, drug stores, convenience stores, some liquor stores and a few other locations. Signature IRI does not capture every sale, or include draft sales, but more than enough to paint an accurate picture. They are for the first six months of 2010, and — just for fun — compared to the first six months of 2006. Sales are in millions of dollars.

   2010    2006
Corona Extra    $207.0 $224.5
Heineken    $129.7 $132.4
Michelob Ultra    $106.8 $106.7
Corona Light    $64.5 $60.1
Bud Light Lime    $61.3 ***
Tecate    $44.5 $36.9
Blue Moon White    $40.2 $14.1
Modelo Especial    $32.3 $23.4
Stella Artois    $31.2 ***
Sierra Nevada Pale Ale    $27.8 $24.8
Heineken Light    $27.7 $18.8
Newcastle Brown    $26.9 $21.1
Samuel Adams Boston Lager    $26.3 $21.8
Samuel Adams Seasonals    $25.7 $10.8
Guinness Draught    $23.9 $24.2

*** Bud Light Lime did not exist in 2006. Stella Artois was not among the top 15 selling imports (No. 15 on the list sold $12 million).

A couple of other notes: New Belgium Fat Tire sales are up more than 14 percent to $18.2 million (compared to $11.4 million for the first six months of 2006. Michelob Amber Bock outsold Blue Moon White in 2006 ($15 million to $14.1), and now it outsells Shock Top ($9.9 million to $8.5 million).