The value of fermentation? Lots

Fun fact of the day:

Fermentation adds value to many of Oregon’s crops, according to Bill Boggess, an economist and interim director of the Oregon Wine Research Institute. For example, he said, artisan cheese increases the value of a gallon of milk ten-fold; high quality wine increases the value of Pinot noir grapes up to eight times; and craft beer increases the value of hops and barley as much as 30 times. In addition, distillation adds significant value to fruits and grains.

Which is why in the closing days of the 2013 legislative session, Oregon lawmakers approved $1.2 million for Oregon State University to enhance the Agricultural Experiment Station’s fermentation sciences program.

Craft beer and the necessity of remaining dynamic

Sorry. The conversation about what is craft beer just won’t go away, and Blue Moon Belgian White often ends up in there somewhere.

But, dang it, Dave Bailey (HardKnott Dave) proves there is still something new to be said when he asks “Is Blue Moon craft?” He walks us through a definition, examining if and how Blue Moon meets particular criteria.

A couple of weeks ago a brewer who used to work for a very large brewing company and now has started a very small one said, “Blue Moon might be the most important craft beer there’s been.” Read “Is Blue Moon craft?” and you’ll understand why.

In the half dozen years since I asked “Blue Moon: Peter, Paul & Mary or Trini Lopez?” craft beer sales have just about doubled (as have Blue Moon sales, in case you don’t consider them one in the same). I’m not sure how many million new drinkers that translates to, but a lot. Dave recognizes they’ve come for something new and leads us to a conclusion that’s been drawn before, but not as succinctly.

Of course, like many things that are new, it will one day be old. It might gain big market saturation. But then, many brands that we now might consider craft will in turn suffer this once they gain widespread acceptance.

This last point is important. The criteria create a sector which by definition must remain dynamic. Reinvention and a need to innovate and react is essential. A point that is not made explicit, but is inextricably implicit.

I’m a fan of reinvention and innovation. But given that I was once new, that now that I am old, and also that I like beers that are no longer new, I’m not sure I find this last thought all that cheery.

IF beer were the new wine

I prefer discussion about beer and wine, as opposed to beer versus wine. (And there is the matter of New Beer Rule #7: Beer is not the new wine.)

But “Why beer is the new wine, and wine the new fur coat” is so nicely written you should take the next six minutes (it is posted at Medium, that’s why I know long) to read it. Three sentences that might motivate you . . .

– Unlike wine, beer is subversive and lewd and witty.

– You know what the wine section looks like after you’ve strolled through the beer section? Like black-and-white TV after watching hi-res color video.

Go enjoy it. One reservation: I don’t consider wine an anachronism. Because the essay celebrates advances (I agree advance are good, just so you know) it would be easy to see some readers mentally substituting in “pale lager” for “wine” in the second excerpt. Pale lager is not an anachronism. So make that two reservations. Still a fun six minutes.

Session #78 roundup posted

The SessionJames Davidson at Beer Bar Band has posted the roundup for The Session 78: Elevator Pitch for Beer.

There was a whole lot of pitchin’ going one, a topic so popular that Lew Bryson returned to The Session for the first time in a while.

The roundup runs more than 2,500 words, which reminds me Boak and Bailey have suggested “going long” in September.

On Monday 2 September, we’re going to post something a bit longer than usual — at the very least 1,500 words — and we’d love it if you, fellow bloggers and writers, did the same.

Seems like a good idea.

Bad beer and who should be talking about it

You connect the dots.

The conversation

John Harris, whose Ecliptic Brewing should be serving beer soon, was talking about the first months at Deschutes Brewery in 1988, where he wrote the initial recipes and brewed for four years. Batch after batch of beer tasted sour, and he dumped each one. It turned out that there was a design/construction flaw. Fixing that solved the problem.

“These days we could probably have saved the (sour) beer and made money on it.”

He laughed, but he was serious.

The story

Joe Stange’s DRAFT magazine story I mentioned a while back later came on line, leading to discussion here and there, particularly interesting here, about how many breweries is too many breweries. Beyond the matter of variety discussed first time around, there is the one about quality.

“What the industry is afraid of is low quality, and that will taint the quality of craft beer overall,” says Jeff Schrag, owner of Mother’s Brewing, a regional microbrewery that opened in 2011 in Springfield, Mo. “But I don’t know,” he adds, looking thoughtful. “There’s a lot of beer now that’s tainting the image of craft beer.”

Some links

– Brian Yaeger riffs on this at The New School in a post titled, “95% a-hole free?” . . . as opposed to the good old “asshole free” days.

It’s not like this is new. Consider what Ken Grossman had to say in 1981 in Zymurgy magazine (summarized by Maureen Ogle in Ambitious Brew: The Story of American Beer): “More often than not, he complained, homebrewers tried to go commercial ‘on a shoestring, and with such low technology and understanding of producing a high quality beer’ that they produced foul swill.”

That might come across as a little chippy. Would it be better to be specific, to name names? Last week Charlie Bamforth, the Anheuser-Busch endowed Professor of Brewing Science a the University of California at Davis, was in St. Louis. He spoke a few minutes at a Master Brewers Association of the Americas (MBAA) gathering. I’m told that “back in the day” almost everybody at these meetings worked at Anheuser-Busch and wore a tie. A lot more beards these days. Plenty of young faces, including many people who work at the ABI pilot brewery and students in a brewing class at Washington University. Bamforth was as entertaining as always, shifting quickly from one topic to another. At one point, and I’m not exactly sure why, he said, and I must paraphrase, one thing he can’t abide by is one brewer talking bad about another. So that’s something you learn in beer school.

– Brandon Hernandez pokes a hornet’s nest with “Truth in beer reporting and other novel concepts.”

Yes, the fact that Hernandez derives income from Stone Brewing Co. (as a communications specialist) muddies the water, but lots of interesting insights in the comments. And you’ll want to read what another panelist had to say, and then Alan McLeod’s take.

– Boak & Bailey, starting from an entirely different place (a post by Adrian Tierney-Jones), ask a question: End of the Kid Gloves Era? Maybe this is inside baseball (or cricket), just writers talking to writers, but consider this: “Perhaps it is time for beer writers to accept that conflict with ‘the industry’ is necessary and desirable.”

That way the brewers don’t have to be the a-holes.