The Pilsner Urquell tour didn’t suck

We were forewarned by Ron Pattinson (read the comments too) not to expect too much from the Pilsner Urquell brewery tour. However, rather than requesting a behind-the-scenes look during which I could ask my usual geeky questions, I wanted to see and hear how the brewing giant SABMiller presents Urquell to the public.

I’m glad we went.

It was worth it if only to wander through the lagering cellars and imagine what they were like when they were full of more than the few barrels that remain.

Pilsner Urquell cellars

Back to the beginning. The tour costs 150 Czech Koruna (less than $7.50), 100 more if you want to take pictures inside the factory (that’s what they call it). You’d think somebody there read Ron’s post, because they carefully warned us that the tour takes about 90 minutes and we might want to use the toilet before embarking.

In fact, it lasted 80 minutes (perhaps because there were only 11 of us, including four Czechs taking the English tour for reasons unknown) and didn’t start with a movie. We saw one movie as part of the introduction to ingredients, and it did a pretty good job of talking about stuff like triple decoction without using the word. We saw a second short movie taken at the brewery in the early 1900s.

As at Budejovicky Budvar a couple of days before we breezed past cyclindro-conical tanks and primary fermentation was mentioned only in passing, but unlike at Budvar we never saw actual lagering tanks — just the wooden ones where beer is aged for tourists to taste (the literature we received also indicated this beer is compared with the brewery’s industrially produced beer). Of course we wandered about the old shiny copper brewhouse, but could view the new one only through glass.

What made the tour worth it was the walk in the cellars. The tour guide emphasized many times to stick with the group so nobody would get lost. It was easy to imagine when the cellars were full of barrels. When we finally get back home I’m looking forward to watching Michael Jackson’s Beer Hunter video from the 1980s. Not only to compare what it looks like, but for answers to some of the questions Ron raised, like if lagering has been shortened over the years.

We stopped briefly at wooden open fermenters where the “tasting” beer undergoes primary fermentation. While I was taking pictures the tour moved on to the halls with lagering barrels, for what the guide called “the best part of the tour, tasting.” Now behind, I hurried through the first set of barrels, passing a man carrying a clipboard.

I stopped to take a picture of the barrels, dang hard to get them in the low light since I was determined not to use the flash. When I turned around I saw the man (a brewer?) at the other end drawing a sample. That’s the picture above.

By now Sierra was worried I was lost and she came back to drag me into the next room with barrels, where everybody was already drinking. A friendly fellow poured a sample into a small (100-200cl) glass. This was beer made in the old way, using open fermentation in wood and then lagered in the cellars in wood. It was not filtered. It was very good.

Nobody was talking, and by the time I tried to take a couple more photos and had enjoyed less than half the glass the tour was ready to move on. The guide said anybody was welcome to a second beer. Nobody took him up on it. Except me. I hurried back to the fellow pouring beer, handing him an empty glass while I finished the first (resisting chugging).

He smiled, poured one and seemed to suggest I could take one for each hand.

I declined.

Why I don’t know.

 

The real enemy of better beer? Please vote

Are boring beers or badly made beers the real enemy?

One thing about moving outside your comfort zone, ordering beers in languages you don’t speak and knocking back what the locals drink even if you might never have heard of the beers . . . you come across both. (Same with wine, which can be even more confusing in “emerging” wine countries like Croatia and Slovenia).

While I consider this question myself I’d like to hear your opinions.

And, no, “both” is not an acceptable answer. You have to pick one.

 

Italian craft beer . . . in one photo

Given the sudden outbreak of tales about Italian beer (see below) and the reality I should save something interesting for a couple of print assignments I’m going to write a lot less here than I planned for Italian Beer Part II.

Instead I’ll steal an idea from this wine blog, which reviews wines using a single picture instead of traditional tasting notes. The new wave of Italian beers can’t be represented by a single image, but I’m suggesting this is a start:

Italian craft beer

The photo was taken at Pompeii. I didn’t choose it because it expresses something “classic,” but because of the balance and texture it shows. Those components are essential in any beer we might call exceptional. One complaint about the big hoppy beers that emerged in the United States and now the sometimes offbeat beers of Italy is that the colors sure are bright but they often clash.

Not every Italian brewer has it figured out, but there are enough to set a good example for the others.

Here’s one example. KeTo RePorter from Birra del Borgo, located about 70 kilometers east of Rome. The beer is a rich porter spiced with tobacco leaves (added during the final two minutes of the boil). Several other Birra del Borgo beers are available in the United States, however this one has had a little trouble getting label approval . . .

Anyway, perhaps we should considered the power of persuasion, but KeTo seem to have a little pipe tobacco sweetness in the aroma and flavor and surprising spicy notes that set it apart from other porters. You may or may not like this, you may or may not think it is worth the price, but Italian small-batch brewers must ask more for their beers (they are spending 40 to 50 percent more than large brewers for ingredients) so they better be offering something different.

That’s the easy part. Balance and texture are the things not even a volcano eruption can destroy.

Further reading

As noted last week, Evan Rail’s New York Times article nicely captures what is happening in the north and the beer/food connection in Italy. And Charlie Papazian, one the heals of Salone del Gusto in Turin, offered a whole series of posts on Italian beers. (Start here.)

Since like Papazian I noted that finding craft beer in Italy is still a challenge in some areas, such as Florence and Venice, I must agree that sometimes you have to work to find these beers. However, after I wrote that post I learned that 300 bar/pubs in Rome serve craft beer and that a growing number of bars, led by the pioneering Ma Che Siete Venuti A Fa’, specialize in flavorful beer.

Also, I have to correct Papazian when he writes, “Are any beers being exported to places like the USA? Very, very few.” If you live in the right parts of the United States it is easier to find a range of Italian small-batch beers than in most cities in Italy. Importer B. United International has a dozen Italian beers in its portfolio, listed here.

 

A little more about Italian beer

We’re far enough south in Italy right now that we’ve spotted the water buffalo responsible for Buffalo Mozarrella. I’ve learned that Italy grows 300 different kinds of chestnuts and that Italian brewers make at least 40 different chestnut beers.

More later, but if you need to read more about Italian beer now, check out Evan Rail’s New York Times story Savoring Italy, One Beer at a Time.

Makes me want to swing back north and visit the spots we missed.

 

Monday beer musing: What’s ahead in Italy?

Last night we ate in a restaurant in Florence that, like plenty others in Italy, boasts it serves “products of the region.”

More than half the customers were American tourists — it’s Florence — but if you didn’t listen too carefully the place didn’t feel touristy. There were local meat dishes to choose from as well as pizza (Daria declared her’s the best she’s had on our trip), calzones, all that you would expect.

We drank Chianta. We’re in Tuscany, it was poured from a barrel and it cost €4.80 for a half liter.

But as I paid the bill at the bar I noticed a dang fine beer selection lined up above. Rochefort 8, Orval, Duvel, Achel, St. Bernardus Tripel among others. But no Italian craft beer.

I’ve heard more than one non-Italian brewer compare what’s going on with Italian beer to 20 years ago in the United States. Sometimes that’s not intended as a compliment, but as a reference to a technical brewing gap. Mostly it’s about the excitement generated by brewers and their fans.

It’s grown because Italians haven’t tried to recreate America circa 1988, when U.S. brewers were just beginning to explore basic styles. They are drawing from the world, adding flowers, using chestnuts, tossing in tobacco . . . basically being Italian. They are making some really interesting beers we all want to drink.

However they remain small and, like American craft breweries in 1988, not all that well known in their own country. This might surprise American drinkers, because new Italian beers seem to arrive daily. And their beer sells for more in Italy than, for the sake of comparison, Trappist beers do in Belgium (or Orval does in Italy, for that matter). Additionally, Italy began feeling the economic downturn before many other countries.

To cut to the quick, this is not as simple as “brew great beers and they will come.”

More thoughts on this in a week or so, including why this is important to pay attention to even if you don’t drink in Italy. In the interim, I’ll be in research mode.

History according to Stella. Lager contains “only the four traditional ingredients of beer” — malt, water, hops and maize. Learning stuff like this is why Boak and Bailey’s Beer Blog is essential reading.

Get well, Uncle Jack. Fortunately, Jack Curtin “only” lost an appendix, a lot of time to the hospital and some weight. Send him your best.

Pissing in the steets. There are many good reasons to read Pete Brown’s blog. I recommend subscribing to his rss feed because he might go three weeks between posts. Always worth the wait. I had a damn hard time deciding what to quote from the most recent.

Hands up – every now and then, maybe once every couple of months, I take a leak in some dark street corner on the way home. I’m not proud of it. I’m faintly disgusted by it. But here’s the thing: the British Public Toilets Association (yes, there really is such a thing) reckons 45% of public conveniences have closed in the last couple of decades. They occupy prime real estate – one former public toilet was recently sold for £125,000 as a flat.

And be sure to read the comments.